This page shows you the list charts. By default, the movies are ordered by how many times they have been marked as a favorite. However, you can also sort by other information, such as the total number of times it has been marked as a dislike.
This is a list of Steven Spielberg's complete filmography as a director. I did not include his short films but I did include Duel because it's the only TV movie he directed that's still available. I also am not including any films currently in production.
Sci-fi films are often quasi-scientific, visionary and imaginative - complete with heroes, aliens, distant planets, impossible quests, improbable settings, fantastic places, great dark and shadowy villains, futuristic technology, unknown and unknowable forces, and extraordinary monsters. Science fiction often expresses the potential of technology to destroy humankind and easily overlaps with horror films, particularly when technology or alien life forms become malevolent, as in the "Atomic Age" of sci-fi films in the 1950s.
The 500 movies in this list have been selected by a combination of 10,000 Empire readers, 50 critics and 150 of Hollywood's finest.
Tarantino's Coolest Movies of All Time from Wensley Clarkson's Tarantino - The Man, the Myths and His Movies book.
* 1. Rio Bravo (1959, Howard Hawks)
* 2. Taxi Driver (1976, Martin Scorsese)
* 3. Blow Out (1981, Brian De Palma)
The rest of the list is not in order and not a definite list.
The 2000s continued with the trend of big blockbusters, which drew in massive amounts of money with the eager audience. The fantasy genre in particular flourished due to the success of The Lord of the Rings trilogy. The fallen status of Superhero movies was also revived, in large part due to successful installments in the Batman and Spider-man series. Furthermore, computer-generated animations films became a force to be reckoned with, as they garnered much praise even from the critics.
The Cannes Film Festival, founded in 1946, is one of the world's oldest film festivals. The private festival is held annually (usually in May) in the resort town of Cannes, in the south of France. Cannes is extremely important for critical and commercial interests and for European attempts to sell films on the basis of their artistic quality. Additionally, given massive media exposure, the non-public festival is attended by many movie stars and is a popular venue for film producers to launch their new films and attempt to sell their works to the distributors who come from all over the globe.
The most favorite movies on the iCheckMovies.com website, based on the movies' favorites/checks ratio. By looking at the ratio, unknown gems don't necessarily get overpowered by more well-known movies. For the exact formula, see the movies and lists section in the FAQ.
The idea behind The New Cult Canon is to take a fresh look at the new generation of cult movies that have sprung up in the last two decades, although some older movies are also included into the list. The list is authored by Scott Tobias.
[From 2008 to 2013, starting with Donnie Darko and ending with The Rapture, I wrote a column for The A.V. Club called The New Cult Canon, my homage to Danny Peary’s three Cult Movies books, which were a huge influence on my moviegoing habits as a young cinephile. My idea was to pick up where Peary’s last book left off, in 1987, and explore “The Classics, The Sleepers, The Weird and the Wonderful”—films that have inspired mad obsession since. With The Reveal, I finally have the opportunity to bring it back.]
Horror is one of the most readily dismissed genres from critics and film buffs, yet is, arguably, the genre with the most avid and steadfast niche following and remains popular with the general public. With horror films aiming to terrify, spook, shock, disturb, repulse, amuse, entertain and more, it's no wonder the genre is so varied, divisive and controversial.
With so many people ignoring or simply not understanding horror, many great films slip under the radar and are relatively unknown to an audience outside of hardcore horror fans. In order to counteract this and bring awareness to the greatness of the genre, this list was created.
Compiled using 2,614 lists taken from various critics/polls/magazines/books/websites/forums/horror fans, They Shoot Zombies, Don't They? is intended to be the ultimate canonical top 1000 horror list. Spanning several decades, countries and sub-genres, and using lists from a wide range of people and publications, the resulting list is quite a diverse spread and representation of the best of horror.
In the 90s, the belief was sustained that expensive, high-budget films with expensive special effects meant quality. However, the independently-distributed film movement was also proving that it could compete (both commercially and critically) with Hollywood's costly output. This decade also marked the advent of the home viewing of movies, in part made possible by the digital revolution that allowed movies to be greatly modified even after shooting.
These are all of the shorts on at least 1 official iCM list (not counting the IMDb list), sorted by runtime.
Shorts with unknown runtimes are listed at the bottom.
See also: [url=http://www.icheckmovies.com/lists/icheckmovies+most+favorite+shorts/mjf314/]iCheckMovies' Most Favorite Shorts[/url]
Animations are not a strictly-defined genre category, but rather a film technique, although they often contain genre-like elements. Also includes claymation (use of clay objects), anime (a style of animation with its roots in Japanese comic books, usually adult-oriented sci-fi and fantasy) or CGI (computer-generated animation). Animated films are often considered kids or family-oriented films, although they may be enjoyed by all ages.
Film noir ('black film') is a branch of the crime/gangster sagas from the 1930s. Strictly speaking, film noir is not a genre, but rather the mood, style or tone of various American films that evolved between the 1940s and 1960s. However, film noir has re-occurred in cyclical form in other years in various neo-noirs. Noirs are usually black and white films with primary moods of melancholy, alienation, bleakness, disillusionment, disenchantment, pessimism, ambiguity, moral corruption, evil, guilt and paranoia. They often feature a cynical, loner hero (anti-hero) and femme fatale, in a seedy big city.
"The Story of Film: An Odyssey, a 15-part series written and directed by award-winning film-maker Mark Cousins, is the story of international cinema told through the history of cinematic innovation.
The series provides a worldwide guided tour of the greatest movies ever made; an epic tale that starts in nickelodeons and ends as a multi-billion-dollar globalised digital industry."
Note: "Motion Capture Mirrors Emotion (2009) dir. Jorge Ribas," a documentary about the making of Avatar, is missing because it does not appear to have an imdb page.
This list is the result of heated debate/scuffles between the frazzled writers of Total Sci-Fi. In addition to settling on the titles themselves, they also had to set the limits of what counts as a 'sci-fi film': they decided that superhero movies were out as that's a distinct genre all of its own, but comedies like Sleeper and Galaxy Quest possess enough genuine science fiction concepts to warrant inclusion, leading to this list of the 100 best Sci-Fi movies of all-time.
Movies with 20 or more rated reviews at Rotten Tomatoes are eligible for inclusion in this list. Although the list is currently skewed toward the more recent movies, this may change in the future.
This list is "an educational resource that offers guidance and encouragement as students seek to find points of orientation within the vast history of film and video." It is not a list of the best films of all time. Rather, it reflects a variety of criteria.
The list is divided into 5 sections:
I. [url=http://www.icheckmovies.com/lists/harvard+universitys+suggested+film+viewing+list+narrative+films+2012/]Narrative Films[/url]
[url=http://www.icheckmovies.com/lists/harvard+universitys+suggested+film+viewing+list+hollywood+genres+2012/mjf314/]Hollywood Genres (with an emphasis on the classical studio era)[/url]
II. [url=https://www.icheckmovies.com/lists/harvard+universitys+suggested+film+viewing+list+non-fiction+films+2012/]Non-Fiction Films[/url]
III. [url=http://www.icheckmovies.com/lists/harvard+universitys+suggested+film+viewing+list+animated+films+2012/mjf314/]Animated Films[/url]
IV. [url=http://www.icheckmovies.com/lists/harvard+universitys+suggested+film+viewing+list+experimentalslashavant-gardeslashunderground+films+2012/mjf314/]Experimental/Avant-garde/Underground Films[/url]
V. [url=https://www.icheckmovies.com/lists/harvard+universitys+suggested+film+viewing+list+single-channel+video+2012/mjf314/]Single-channel Video[/url]