Charts: Lists
This page shows you the list charts. By default, the movies are ordered by how many times they have been marked as a favorite. However, you can also sort by other information, such as the total number of times it has been marked as a dislike.
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TSPDT's Brief Encounters
Favs/dislikes: 172:5. This list is a ranked list of the top 250 shorts as compiled by the They Shoot Pictures, Don't They website as a companion to their Top 1000 films. This follows a project originally started and abandoned in 2009 to do the same, the preliminary list for which was the original source of this list. Source (dead link) -
The Times's 100 Best French Films
Favs/dislikes: 173:8. The 100 best French Films as chosen by The Times(UK), chosen in groups of ten films: Modern Classics, Modern Cults, Dramas, Romances, Thrillers, Comedies, Nouvelle Vague, Landmarks, Shorts, and Icons. [url=http://web.archive.org/web/20051029151003/http://e-paper.timesonline.co.uk:80/frenchfilm/1/articles/artikel_TMXA_1XA_20050409_1_39.html]Source[/url] -
Box Office Mojo's All Time Adjusted Box Office
Favs/dislikes: 176:27. This list presents the all time box office top grossing movies, but adjusted for ticket price inflation. Inflation-adjustment is mostly done by multiplying estimated admissions by the latest average ticket price. Where admissions are unavailable, adjustment is based on the average ticket price for when each movie was released (taking in to account re-releases where applicable). [url=https://www.boxofficemojo.com/chart/top_lifetime_gross_adjusted/?adjust_gross_to=2022]Source[/url] -
Akira Kurosawa's A Dream Is a Genius
Favs/dislikes: 178:1. "From Chapter 3 of A Dream is a Genius, 1999. Akira Kurosawa discusses his top 100 films with his daughter, Kazuo. Kurosawa limits his choices to one film per director." -
Arts & Faith's Top 100 Films
Favs/dislikes: 182:3. The Arts & Faith's Top 100 Films (previously known as the 100 most spiritually significant films) list has been selected by the [url=http://artsandfaith.com]Arts & Faith[/url] members, which is dedicated to the combination of art and faith. 2020 update added a new restriction of one film per director, but other films that would have made the list without that restriction can be seen in the subtitle for each main entry in the source. [url=http://artsandfaith.com/index.php?/films/year/8-2020-top-100/]Source[/url] -
The New York Times's Book of Movies
Favs/dislikes: 183:3. This list is drawn from "The New York Times Book of Movies: The Essential 1,000 Films to See", published in 2019. It contains a selection of 1000 reviews that have been printed in The New York Times. The majority of movies in this book are among the "10 Best Films" chosen by New York Times critics at the end of each year. [url=https://www.amazon.com/New-York-Times-Book-Movies/dp/078933657X]Source[/url] -
IMDb's Western Top 50
Favs/dislikes: 184:5. Westerns are the major defining genre of the American film industry - a eulogy to the early days of the expansive American frontier. They are one of the oldest, most enduring genres with very recognizable plots, elements, and characters (six-guns, horses, dusty towns and trails, cowboys, Indians, etc.). Over time, westerns have been re-defined, re-invented and expanded, dismissed, re-discovered, and spoofed. -
Federico Fellini Filmography
Favs/dislikes: 188:6. Films directed by Italian great Federico Fellini. Includes segments and made-for-TV productions. -
Eureka!'s The Masters of Cinema Series
Favs/dislikes: 189:3. The Masters of Cinema Series is a specially curated DVD collection of classic and world cinema using the finest available materials for home viewing. An ongoing collaboration between mastersofcinema.org and Eureka Entertainment, the MoC Series started in early 2004 and has so far included award-winning DVD editions of films by Carl Th. Dreyer, F. W. Murnau, Jean Renoir, Akira Kurosawa, John Ford, Masaki Kobayashi, Roberto Rossellini, Kaneto Shindo, Nicholas Ray, Satyajit Ray, Hiroshi Teshigahara, Peter Watkins, Sadao Yamanaka, Rene Laloux, Fritz Lang, Shohei Imamura, Vittorio De Sica and many more. MoC Series releases all come with extensive booklets, and where applicable, a host of extra features. [url=https://eurekavideo.co.uk/masters-of-cinema/#page-1]Source[/url] -
Academy Award - Best International Feature Film
Favs/dislikes: 192:1. The movies on this list have all been awarded a Best Foreign Picture Academy Award (also known as an Oscar). Although the director is the one that receives the award, credit is also awarded to the country in which the movies was produced. As a continent, Europe has dominated this category over the other continents, being responsible for over two third of the winners. [url=https://en.wikipedia.org/wiki/Academy_Award_for_Best_Foreign_Language_Film]Source[/url] -
Amos Vogel's Film as a Subversive Art
Favs/dislikes: 193:12. "Film as a Subversive Art was first published in 1974. According to Vogel--founder of Cinema 16, North America's legendary film society--the book details the "accelerating worldwide trend toward a more liberated cinema, in which subjects and forms hitherto considered unthinkable or forbidden are boldly explored." So ahead of his time was Vogel that the ideas that he penned some 30 years ago are still relevant today, and readily accessible in this classic volume. Accompanied by over 300 rare film stills, Film as a Subversive Art analyzes how aesthetic, sexual, and ideological subversives use one of the most powerful art forms of our day to exchange or manipulate our conscious and unconscious, demystify visual taboos, destroy dated cinematic forms, and undermine existing value systems and institutions." This list contains all movies in the revised version from 2021. Included in this list are movies: 1. with dedicated texts. 2. shown in movie stills. 3. mentioned otherwise as an example of subversive cinema in the context of the text it is mentioned in. Excluded from this list are movies that are mentioned in any other way than an example of subversive cinema. The movies are sorted by appearance in the book. Some movies appear multiple times. In that case, the preferred position is the dedicated text, then a movie still and lastly a mention. The book is divided into parts: Introduction (#1 - #20) Part 1 - Weapons of Subversion: The Subversion of Form (#21 - #170) Part 2 - Weapons of Subversion: The Subversion of Content (#171 - #355) Part 3 - Weapons of Subversion: Forbidden Subjects of the Cinema (#356 - #572) Part 4 - Towards a New Consciousness (#573 - #598) #599 is the back cover. -
ICM Forum's 500<400
Favs/dislikes: 193:3. Every September, members of the [url=http://www.icmforum.com/]ICM Forum[/url] vote for the top 500 films with fewer than 400 checks on iCM (at the time of voting). Films released in the current or previous year are ineligible. [url=https://forum.icmforum.com/viewtopic.php?t=6075]Source[/url] -
IMDb's Comedy Top 50
Favs/dislikes: 194:27. Comedies are light-hearted plots consistently and deliberately designed to amuse and provoke laughter (with one-liners, jokes, etc.) by exaggerating the situation, the language, action, relationships and characters. This section describes various forms of comedy through cinematic history, including slapstick, screwball, spoofs and parodies, romantic comedies, black comedy (dark satirical comedy), and more. -
IMDb's 1970s Top 50
Favs/dislikes: 196:11. Although the 1970s opened with Hollywood experiencing a financial and artistic depression, the decade became a creative high point in the US film industry. Restrictions on language, adult content and sexuality, and violence had loosened up, and these elements became more widespread. The counter-culture of the time had influenced Hollywood to be freer, to take more risks and to experiment with alternative, young film makers (nicknamed "Movie Brats"), as old Hollywood professionals and old-style moguls died out and a new generation of film makers arose and caused Hollywood to be renewed and reborn. -
IMDb's Mystery Top 50
Favs/dislikes: 196:5. Detective-mystery films are usually considered a sub-type or sub-genre of crime/gangster films (or film noir), or suspense or thriller films that focus on the unsolved crime (usually the murder or disappearance of one or more of the characters, or a theft), and on the central character - the hard-boiled detective-hero, as he/she meets various adventures and challenges in the cold and methodical pursuit of the criminal or the solution to the crime. -
MovieSense 101
Favs/dislikes: 210:8. The 101 top movies as chosen by the readers and editors of MovieSense.nl [url=http://www.moviescene.nl/p/60662/moviesense_101_de_beste_101_films]Source[/url] -
Time Out's The 100 Best British Films
Favs/dislikes: 210:2. Other than location and accent, what signatures mark British cinema? Honestly, it’s hard to peg, if only because the UK movies industry hardly seems limited in the stories it tells and the cinematic experiences it puts onscreen. Want a sweeping, heart-swelling epic? Explore the films of David Lean or Powell and Pressburger. Prefer a smaller scale, more intimate drama? Try Joanna Hogg or Shane Meadows. Thrillers? Romantic period pieces? Sci-fi? Drug movies? You can find them, all with a specific, if sometimes intangible, English slant. To put together this list of the best British movies of all-time, we polled over 150 actors, directors, writers, producers, critics and industry heavyweights, from the likes of Wes Anderson, Mike Leigh, Ken Loach, Sam Mendes and Terence Davies, David Morrissey, Sally Hawkins and Thandie Newton. The results are as diverse as the country itself. Here are the 100 greatest British films ever made. Written by Dave Calhoun, Tom Huddleston, David Jenkins, Derek Adams, Geoff Andrew, Adam Lee Davies, Paul Fairclough, Wally Hammond, Alim Kheraj, Matthew Singer & Phil de Semlyen Last Updated: April 14, 2022 [url=https://www.timeout.com/london/film/100-best-british-films]Source[/url] -
IMDb Top 250 History
Favs/dislikes: 215:2. An overview of all movie titles that have been (or still are) on the IMDb Top 250 from a collection of 6.500+ historical IMDb Top 250 snapshots. Newest titles are on top of this list. Check out https://250.took.nl/ for more information. -
A.V. Club's The Best Movies of the 2000s
Favs/dislikes: 217:2. This list consists of the favorite movies of the 00's as chosen by five core A.V. Club film writers. [url=https://film.avclub.com/the-best-films-of-the-00s-1798222348]Source[/url] -
Doubling the Canon
Favs/dislikes: 217:4. Begun in 2007, Doubling the Canon is an annual project which aims to expand the Film Canon as crafted by the They Shoot Pictures, Don't They website. Originally it was a selection of 1000 movies to complement [url=https://www.icheckmovies.com/lists/tspdts+1000+greatest+films/]TSPDT's 1,000 Greatest Films[/url], now it is a list of 1000 which complements the 1,000 Greatest Films and the companions [url=https://www.icheckmovies.com/lists/tspdts+1000+greatest+films+1001-2000/]1001-2000[/url] and [url=https://www.icheckmovies.com/lists/tspdts+21st+centurys+most+acclaimed+films/]21st Century's Most Acclaimed Films[/url]. This project is compiled and voted on by cinephiles from around the globe every year, originally at Imdb's Classic Film Board and currently at [url=http://www.icmforum.com/]icmforum.com[/url], in the months after the posting of that year's TSPDT list. [url=https://forum.icmforum.com/viewtopic.php?f=6&t=5829]Source[/url] -
IMDb's Crime Top 50
Favs/dislikes: 217:6. Crime (gangster) films are developed around the sinister actions of criminals or mobsters, particularly bankrobbers, underworld figures, or ruthless hoodlums who operate outside the law, stealing and murdering their way through life. Criminal and gangster films are often categorized as film noir or detective-mystery films - because of underlying similarities between these cinematic forms. This category includes a description of various 'serial killer' films. -
IMDb's Adventure Top 50
Favs/dislikes: 221:6. Adventure films are usually exciting stories, with new experiences or exotic locales, very similar to or often paired with the action film genre. They can include traditional swashbucklers, serialized films, and historical spectacles (similar to the epics film genre), searches or expeditions for lost continents, "jungle" and "desert" epics, treasure hunts, disaster films, or searches for the unknown. -
IMDb's 1980s Top 50
Favs/dislikes: 223:7. The decade of the 1980s tended to consolidate the gains made in the seventies rather than to initiate any new trends. Designed and packaged for mass audience appeal, few 80s films became what could be called 'classics'. The era was characterized by the introduction of 'high-concept' films - with cinematic plots that could be easily characterized by one or two sentences (25 words or less) - and therefore easily marketable and understandable. The 80s also were the decade in which the sequel-mania really took off, which often resulted in hastily-made, inferior knockoffs made by lesser film-makers. -
2015 Edition: Top10ner’s 1001 'Greatest' Movies of All Time
Favs/dislikes: 225:0. Combined the average ratings (Critic's & Users) from IMDb, Rotten Tomatoes, Metacritic and Letterboxd, and then weighted and tweaked the results with general film data from iCheckMovies (incl. # of Official Top Lists) and IMDb to reveal the 1001 'Greatest' Movies of All Time. -
IMDb's Shorts Top 50
Favs/dislikes: 229:13. Any title, specifically a "feature", with a running time of less than 45 minutes ie. 44 minutes or less. As such, shorts is not a genre category but a collection of films with a maximum specific length. Therefore, a short can be of any genre, although animation is one of the most prevalent.
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