Charts: Lists

This page shows you the list charts. By default, the movies are ordered by how many times they have been marked as a favorite. However, you can also sort by other information, such as the total number of times it has been marked as a dislike.

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  1. Best Film Noir Movie's icon

    Best Film Noir Movie

    Favs/dislikes: 1:0. A fun list of film noir movies I liked
  2. Golden Age of Horror's icon

    Golden Age of Horror

    Favs/dislikes: 0:0. Universal Studios Golden Age of Horror films (1940s)
  3. Hollywood Classics/Musicals's icon

    Hollywood Classics/Musicals

    Favs/dislikes: 0:0.
  4. My Classics's icon

    My Classics

    Favs/dislikes: 0:0.
  5. My Movies's icon

    My Movies

    Favs/dislikes: 0:0.
  6. Seen Classics's icon

    Seen Classics

    Favs/dislikes: 0:0. All pre 1970 films I've seen
  7. Universal Shock Theater's icon

    Universal Shock Theater

    Favs/dislikes: 0:0. These are the 52 Universal films that Screen Gems sold as the "Shock Theater" film package to local stations across the United States in 1957. The package was a ratings hit, and sparked a revival of interest in the classic horror movies and monsters. The Shock package omitted many well known horror films (like Bride of Frankenstein), but did include many non-horror thrillers and melodramas.
  8. Horror movies's icon

    Horror movies

    Favs/dislikes: 0:2. My classic horror list
  9. Classic's icon

    Classic

    Favs/dislikes: 0:1.
  10. Blind3r's Classic Action List's icon

    Blind3r's Classic Action List

    Favs/dislikes: 0:0. Lista de filmes de ação clássica (Stallone, Schwarzenegger etc). A list of some classic action movies.
  11. Margaret Sullavan Filmography's icon

    Margaret Sullavan Filmography

    Favs/dislikes: 3:0. A complete list of Margaret Sullavan's films
  12. I Am Curious, Film (History of a Scandinavian Cinema)'s icon

    I Am Curious, Film (History of a Scandinavian Cinema)

    Favs/dislikes: 3:2. List of movies that was mentioned in BFI documentary project about nordic cinema
  13. Elia Kazan's Filmography's icon

    Elia Kazan's Filmography

    Favs/dislikes: 51:1. Feature films directed by Elia Kazan.
  14. Best of 1970s Sci-Fi's icon

    Best of 1970s Sci-Fi

    Favs/dislikes: 4:0. A look at some of the great and some of the more overlooked Sci-Fi classics from the greatest period of movie making.
  15. Films Watched's icon

    Films Watched

    Favs/dislikes: 0:11. Films starting from 1910 - Present.
  16. Ritwik Ghatak Filmography's icon

    Ritwik Ghatak Filmography

    Favs/dislikes: 10:0. All films directed by Bengali director Ritwik Ghatak.
  17. 100 lat w kinie (History of a Polish Cinema)'s icon

    100 lat w kinie (History of a Polish Cinema)

    Favs/dislikes: 0:0. List of movies that mentioned in BFI documentary project about polish cinema
  18. Astrid Lindgren's icon

    Astrid Lindgren

    Favs/dislikes: 3:0. A list of movies produced/written by Astrid Lindgren.
  19. A Personal Essay on Cinema in Korea by Jang Sun-Woo's icon

    A Personal Essay on Cinema in Korea by Jang Sun-Woo

    Favs/dislikes: 3:0. List of movies that was mentioned in BFI documentary project about korean cinema
  20. Capitolfest 13's icon

    Capitolfest 13

    Favs/dislikes: 1:0. Capitolfest is Central New York's premier summer Cinephile film festival—a place to see rarely-shown and newly-discovered films of the silent and early talkie era, held at the historic 1,788-seat movie palace, the Capitol Theatre, in Rome, New York, which opened in December, 1928 as a movie house. Set in the small upstate New York city of Rome (population c.33,000) and regarded by attendees from the U.S., Canada, and Europe as the movie lover’s dream vacation, the weekend festival starts late Friday morning and ends early on Sunday evening. Screenings are arranged by session, with each session essentially comprised of a double feature plus short subjects. Each session contains intermissions and there are generous breaks between sessions (allowing for meals) as well. The philosophy of Capitolfest is that there should be time to savor the films, thus our slogan, “A vacation, not a marathon.”
  21. Ann Blyth Filmography's icon

    Ann Blyth Filmography

    Favs/dislikes: 3:0. Ann Marie Blyth (born August 16, 1928) is an American actress and singer, often cast in Hollywood musicals, but also successful in dramatic roles. Her performance as Veda Pierce in the 1945 film Mildred Pierce was nominated for an Academy Award for Best Supporting Actress.
  22. And the Show Goes on (History of Indian Cinema)'s icon

    And the Show Goes on (History of Indian Cinema)

    Favs/dislikes: 1:0. List of movies that was mentioned in BFI documentary project about indian cinema
  23. John Huston's Filmography's icon

    John Huston's Filmography

    Favs/dislikes: 44:0. Everybody loves a maverick. This is a list of films DIRECTED by John Huston. For Chinatown, move along. Only feature films where he is fully credited will be included.
  24. CINEVENT 47 Classic Film Convention 2015's icon

    CINEVENT 47 Classic Film Convention 2015

    Favs/dislikes: 1:0. The 2015 version of CINEVENT (47th annual) is a gathering of fans of silent and early sound films, and of collectors of motion pictures and related items. Movie screenings are available from Friday morning through Monday afternoon (with a few hours off to sleep!) each Memorial Day Weekend. Dealers fill over a hundred tables full of film, video, sound recordings, posters, stills, lobby cards, books, autographs...everything imaginable associated with film.
  25. EXCEPTIONALLY STRANGE HORROR CULT CLASSICS by Zachar_Laskewicz on IMDB's icon

    EXCEPTIONALLY STRANGE HORROR CULT CLASSICS by Zachar_Laskewicz on IMDB

    Favs/dislikes: 4:0. A simplistic definition of the horror genre assumes that it has to contain monsters and to follow a strict set of genre rules. I believe, however, that horror has the potential to work on a number of different levels, both metaphorical, existential and purely visceral. By its very nature it creates possibilities for expression of pretty complex questions about the nature of existence; more importantly it allows questioning film-makers to completely shatter any pre-existing ideas about what can be defined as normal. Here it is used to explore and criticise society in ways no other genre can, primarily because it is much maligned and misunderstood; film-makers have the freedom to create metaphysical spaces that would be otherwise impossible. In this list I'm interested in looking at those aspects of particular films which make them stand out from the others, which make fans of those of us who are attuned to what horror sometimes tries to communicate (and alienates as many). Horror is also an ambiguous zone of possibility that allows experimentation with forms of representation not allowable in anything outside the avant-garde. These days it's hard to find a horror film that really touches you deeply in the nightmarish kind of way true horror really should. The more recent Hollywood spectacles may look good but lack true depth, often providing a humanistic outlook frosted with a prudishly moral acceptance of empty concepts. In short, I rarely see anthing that more than skirts the edges of true horror. Sometimes you have to look really hard, both into the past and to films that aren't produced by the formulaic cemetery for cinema which calls itself an industry. The idea is to include some of them here. I'm going to try to suggest in short some of the reasons why I've added them to the list (with as few spoilers as possible); the ultimate plan is to include at my website more detailed analyses and descriptions which you can find here: http://www.nachtschimmen.eu/places/projects/ESHCC. My other lists contains films that follow the rules set by Hollywood and are not necessarily awful, but should in any case be avoided by anyone who expects something cogent from the genre. Any suggestions for this or my other list are welcome; I'd love to be made aware of more truly weird and exceptional horror films that may be worthy of this list. I'd also like to thank Frank Edelamn who is the sole creator of his astoudingly complete exploration of low-budget, exploitation and anti-Hollywood cinematic offerings in his extensive website, both well written and well-researched. He calls it, aptly, 'Critical Condition' and can be found at the following URL: http://www.critcononline.com. His site and advice helped me add many of the titles to this list.
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