Charts: Lists
This page shows you the list charts. By default, the movies are ordered by how many times they have been marked as a favorite. However, you can also sort by other information, such as the total number of times it has been marked as a dislike.
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Bad Movies We Love
Favs/dislikes: 33:3. Compiled by Edward Margulies and Stephen Rebello, the caustically clever authors of Movieline magazine’s popular feature “Bad Movies We Love”, this outrageous 1993 book leaves no stone (including Sharon) unturned as it skewers some of Hollywood’s biggest big-budget film fiascos ever and the stars and filmmakers who made it all happen. -
Movies with real animal cruelty
Favs/dislikes: 4:2. Stay away from these films, some versions may contain real animal cruelty. -
Tarantino Top 20 Since 1992
Favs/dislikes: 54:2. In 2009 Quentin Tarantino listed his favorite 20 films released since he released his first film in 1992 -
Teen Cult Movies
Favs/dislikes: 4:2. A personal list of films that I find iconic to teen audiences, including a range of genres. -
The Rough Guide to Cult Movies
Favs/dislikes: 31:2. From the 3rd Edition (2010) by Paul Simpson. The book is divided into a large number of (sub)genres: Action & Adventure 1-13, Actor's Lapses 14-22, Adventure 23-32, Alcohol 33-45, Animals 46-53, Animated 54-65, Anime 66-72, Apocalypse 73-80, Art 81-90, Asian Extreme 91-96, B-Movies 97-109, Bad Girls 110-115, Banned 116-125, Beaches 126-132, Bikers 133-139, Biopics 140-149, Blaxploitation 150-158, Bollywood 159-164, Buddy 165-173, Business 174-184, Cars 185-194, Chick Flicks 186-207, Circus 208-214, Comedies 215-239, Coming of Age 240-247, Cops 248-262, Costume 263-275, Courtroom 276-285, Crime 286-310, Cross-dressing 311-316, Cult Studios 317-322, Culture Clash 323-328, Cut 329-333, Dance 334-343, Decadence 344-350, The Devil 351-359, Disaster 360-369, Doctors 370-376, Documentaries 377-395, Drama 396-417, Drugs 418-430, Dystopias 431-436, Epics 437-449, Erotica 450-456, Euro Horror 457-462, Eye Candy 463-471, Families 472-481, Fantasy 482-502, Fight Club 503-510, Film Noir 511-531, Food 532-538, Gambling 539-545, Gangsters 546-558, Gay 559-568, Gross Out 569-575, Guilty Pleasures 576-587, Heist 588-597, Historical 598-608, Hollywood 609-620, Horror 621-632, Independent 633-645, Kids 646-660, Kitsch 661-672, Lesbian 673-680, Made for Money 681-686, Mafia 687-700, Martial Arts 701-715, Mavericks 716-723, Media 724-734, Midnight Movies 735-741, Minimalism 742-749, Monsters 750-760, Music 761-780, Musicals 781-804, Mutations 805-810, Nazis 811-819, Nostalgia 820-828, Nuns 829-835, Outlaws 836-842, Paranoia 843-857, Politics 858-876, Porn 877-884, Presidents 885-892, Prison 893-907, Private Eyes 908-925, Propaganda 926-937, Psychos 938-947, Religion 948-958, Road Movies 959-970, Robots 971-979, Rock Stars 980-988, Romance 989-1006, Samurai 1007-1012, Satire 1013-1019, School 1020-1027, Sci-fi 1028-1050, Screwball 1051-1059, Serial Killers 1060-1068, Sexploitation 1069-1077, Shorts 1078-1084, Shrinks 1085-1093, Silents 1094-1105, Slasher 1106-1111, Soundtracks 1112-1124, Space 1125-1134, Spaghetti Westerns 1135-1141, Spoofs 1142-1155, Sport 1156-1174, Spy Movies 1175-1193, Steampunk 1194-1199, Superheroes 1200-1211, Supernatural 1212-1218, Teen 1219-1230, Thrillers 1231-1254, Torture Porn 1255-1259, Trains 1260-1264, True Stories 1265-1274, Turkeys 1275-1285, Underground 1286-1297, Urban Nightmare 1298-1304, Vampires 1305-1311, Vamps 1312-1316, Villains 1317-1324, War 1325-1352, Weepies 1353-1366, Westerns 1367-1389, X-Rated 1390-1404, Yakuza 1405-1412, Zombies 1413-1419. -
101 Cult Movies You Must See Before You Die
Favs/dislikes: 24:1. 101 important cult films as defined in Stephen Jay Schneider's book, 101 Cult Movies You Must See Before You Die. (ISBN: 0764163493) -
AV Club The Old Cult Canon
Favs/dislikes: 20:1. 16 cult films that paved the way for the new cult canon -
De Jonge Ruige Cult Classics
Favs/dislikes: 6:1. The best, most awesome, brilliant, and rock 'n roll cult classics, as selected by the coinnaisseurs cinematique of 'De Jonge Ruige'. Always in progress. In random order. -
This Is What Happens When You Leave A Man In The Alps
Favs/dislikes: 6:1. A mix of movies to see from The Flophouse podcast, trailers, and articles; or in some cases, movies that I need to re-watch -
Worldweird Cinema
Favs/dislikes: 7:1. The weirdest, the strangest, the oddest cinema from the farthest reaches of the globe. No Ozu, No Godard, No Antonioni, nothing so respectable. Only sleaze, horror, action, fantasy, whatever. The undefinable, the unnacceptable, the unreal. Original blog: http://worldweirdcinema.blogspot.com/ The author currently blogs for the Mondo Macabro DVD label: http://mondomacabrodvd.blogspot.com/ and runs their official Facebook page: http://www.facebook.com/mondomacabrodvd -
5 Minutes 2 Live Top 50 Cult Films
Favs/dislikes: 5:0. 50 top cult movies chosen by the now defunct website 5 Minutes 2 Live in response to a somewhat less interesting and more populist list made by Entertainment Weekly. -
Abel Ferrara's Filmography
Favs/dislikes: 11:0. -
Another World Entertainent
Favs/dislikes: 2:0. The catalogue of the great Scandanavic movie distribution company. In order of the releases / catalogue number. -
B Horror Movies
Favs/dislikes: 0:0. list of b horror films to watch -
Best Moustaches
Favs/dislikes: 1:0. Epic moustaches. -
Cult Film Podcasts
Favs/dislikes: 16:0. Midnight Video Podcast - www.midnight-video.com (1-91) Mondo Movie Podcast - www.mondomovie.com (92-?) Junk Food Dinner Podcast - http://www.junkfooddinner.com/ (?-?) -
"Cult Movies in Sixty Seconds" by Soren McCarthy
Favs/dislikes: 11:0. "Presenting the information movie fans need about those films that the insiders seem to know and love, this handy guide to cult flicks offers perceptive and entertaining entries containing an outline of the plot, characters, and themes; insight into why the film is considered a classic; and essential little-known facts. Featuring such favorites as Barbarella, Betty Blue, Harold and Maude, Roger and Me, The Wickerman, and Withnail and I, this book highlights the best films from more than 50 years of movie making. Also explored are the qualities that make a film a cult movie and whether a film can be both cult and a box office hit." -
Danny Peary's Cult Horror Movies (2014)
Favs/dislikes: 3:0. Discover the 33 Best Scary, Suspenseful, Gory, and Monstrous Cinema Classics. The Bride of Frankenstein to House of Wax to The Texas Chain Saw Massacre to The Brood—horror is a beloved and multifaceted genre, with no two classics truly alike. And almost all of them—great and not-so-great—inspire the kind of passion that only cult films truly reach. In this collection of 33 essays drawn from his revered Cult Movies series, cult film specialist Danny Peary. -
Dark Force Entertainment
Favs/dislikes: 0:0. All movies released by Dark Force Entertainment -
De Schokkend Nieuws Top 100 Aller Tijden
Favs/dislikes: 8:0. De Nederlandse fans hebben gesproken. Wat is de beste horror-, sciencefiction-, fantasy- of cultfilm aller tijden? Schokkend Nieuws deed ter gelegenheid van zijn honderdste editie een oproep aan lezers, fans en collega-filmjournalisten een lijstje samen te stellen met de tien beste genrefilms aller tijden. De oproep leverde maar liefst 719 verschillende titels op. De honderd beste films staan afgedrukt in de 100e editie van de tweemaandelijkse filmglossy (IMDb List: http://goo.gl/vsKfJ). -
Entertainment Weekly’s Top 50 Cult Movies
Favs/dislikes: 30:0. Published in 2003, Entertainment Weekly Magazine described their Top 50 Cult Movies thusly: "most died at the box office, some of them horribly. Mangled and despised, they were re-animated on video. And now they compose our cultural Esperanto, a subliminal vocabulary of vaguely subversive images, ideas, and phrases that we continue to obsess over and dissect at parties, around water coolers, in bars, over the blaring banalities of the mainstream media din. They are Cult Movies...So if you take your dead evil and your buckaroos banzai-ed, pour yourself a tall glass of Kool-Aid and peruse this list…" Note: Reader response to the original list was so great, that EW subsequently annexed their list with 11 “readers’ choice” picks. Why 11? Well, it's one longer, isn't it …? -
EXCEPTIONALLY STRANGE HORROR CULT CLASSICS by Zachar_Laskewicz on IMDB
Favs/dislikes: 4:0. A simplistic definition of the horror genre assumes that it has to contain monsters and to follow a strict set of genre rules. I believe, however, that horror has the potential to work on a number of different levels, both metaphorical, existential and purely visceral. By its very nature it creates possibilities for expression of pretty complex questions about the nature of existence; more importantly it allows questioning film-makers to completely shatter any pre-existing ideas about what can be defined as normal. Here it is used to explore and criticise society in ways no other genre can, primarily because it is much maligned and misunderstood; film-makers have the freedom to create metaphysical spaces that would be otherwise impossible. In this list I'm interested in looking at those aspects of particular films which make them stand out from the others, which make fans of those of us who are attuned to what horror sometimes tries to communicate (and alienates as many). Horror is also an ambiguous zone of possibility that allows experimentation with forms of representation not allowable in anything outside the avant-garde. These days it's hard to find a horror film that really touches you deeply in the nightmarish kind of way true horror really should. The more recent Hollywood spectacles may look good but lack true depth, often providing a humanistic outlook frosted with a prudishly moral acceptance of empty concepts. In short, I rarely see anthing that more than skirts the edges of true horror. Sometimes you have to look really hard, both into the past and to films that aren't produced by the formulaic cemetery for cinema which calls itself an industry. The idea is to include some of them here. I'm going to try to suggest in short some of the reasons why I've added them to the list (with as few spoilers as possible); the ultimate plan is to include at my website more detailed analyses and descriptions which you can find here: http://www.nachtschimmen.eu/places/projects/ESHCC. My other lists contains films that follow the rules set by Hollywood and are not necessarily awful, but should in any case be avoided by anyone who expects something cogent from the genre. Any suggestions for this or my other list are welcome; I'd love to be made aware of more truly weird and exceptional horror films that may be worthy of this list. I'd also like to thank Frank Edelamn who is the sole creator of his astoudingly complete exploration of low-budget, exploitation and anti-Hollywood cinematic offerings in his extensive website, both well written and well-researched. He calls it, aptly, 'Critical Condition' and can be found at the following URL: http://www.critcononline.com. His site and advice helped me add many of the titles to this list. -
Filmmagasinets kultsider
Favs/dislikes: 17:0. The norwegian magazine called Filmmagasinet has every month a section with four cult movies. This is the movies from the sections. -
French movies
Favs/dislikes: 0:0. -
Funky Bollywood: The Wild World of 1970s Indian Action Cinema
Favs/dislikes: 4:0. "Despite the often stereotypical notions of Bollywood, it’s not all weddings, wet saris and running around trees. In the 1970s, Indian cinema gave birth to a new breed of action movie, one that combined its own exuberant traditions with foreign influences like the gritty urban crime thrillers of the New Hollywood, Hong Kong martial arts cinema, and Italian exploitation fare. This was the domain of hard fighting he-men stars like Amitabh Bachchan, Dharmendra and Feroz Khan and badass, whip-wielding heroines played by the likes of the gorgeous Zeenat Aman, Hema Malini, and Rekha. Let world cult cinema fanatic Todd Stadtman be your guide through this world of karate killers, femme fatales, space age lairs, bombshells and booby traps with Funky Bollywood, a book with an attitude as freewheeling and feisty as its subject matter, bursting with colour and imagination on every vibrant page."
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