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BFI's 100 Animated Feature Films
Favs/dislikes: 172:5. This list is from Andrew Osmond's book [url=http://filmstore.bfi.org.uk/acatalog/info_17635.html]100 Animated Feature Films[/url] (2011). "Andrew Osmond provides an entertaining and illuminating guide to the endlessly diverse styles, cultures, and visions of the genre, with entires on 100 of the most interesting and important animated films from around the world, from the 1920s to the present day." [url=http://shop.bfi.org.uk/books/100-animated-feature-films-book.html#.Wgyw3GhSzIU]Source[/url] -
BFI's 100 Cult Films
Favs/dislikes: 85:1. "Some films should never have been made. They are too unsettling, too dangerous, too challenging, too outrageous and even too badly made to be let loose on unsuspecting audiences. Yet these films, from the shocking Cannibal Holocaust to the apocalyptic Donnie Darko, from the destructive Tetsuo to the awfully bad The Room, from the hilarious This Is Spı¨nal Tap to the campy Showgirls, from the asylum of Das Cabinet des Dr. Caligari to the circus of Freaks, from the gangs of The Warriors to the gangsters of In Bruges and from the flamboyant Rocky Horror Picture Show to the ultimate cool of The Big Lebowski, have all garnered passionate fan followings. Cult cinema has made tragic misfits, monsters and cyborgs, such as Edward Scissorhands or Blade Runner's replicants, heroes of our times. 100 Cult Films explains why these figures continue to inspire fans around the globe. Cult film experts Ernest Mathijs and Xavier Mendik round up the most cultish of giallo, blaxploitation, anime, sexploitation, zombie, vampire and werewolf films, exploring both the cults that live hidden inside the underground (Nekromantik, Café Flesh) and the cult side of the mainstream (Dirty Dancing, The Lord of the Rings, and even The Sound of Music). 100 Cult Films is a true trip around the world, providing a lively and illuminating guide to films from more than a dozen countries, across nine decades, representing a wide range of genres and key cult directors such as David Cronenberg, Terry Gilliam and David Lynch." -
BFI's 100 Documentary Films
Favs/dislikes: 131:1. "100 Documentary Films is the first book to offer concise and authoritative individual critical commentaries on some of the key documentary films - from the Lumière brothers and the beginnings of cinema through to recent films such as Bowling for Columbine and When the Levees Broke - and is global in perspective. Many different types of documentary are discussed, as well as films by major documentary directors, including Robert Flaherty, Humphrey Jennings, Jean Rouch, Dziga Vertov, Errol Morris, Nick Broomfield and Michael Moore. Each entry provides concise critical analysis, while frequent cross reference to other films featured helps to place films in their historical and aesthetic contexts." [url=http://shop.bfi.org.uk/100-documentary-films.html#.WgywgGhSzIU]Source[/url] -
BFI's 100 European Horror Films
Favs/dislikes: 120:2. Part of the BFI Screen Gudes series, this book provides thoughtful analysis on one hundred European horror films from the silent era to the present day. This list is for those using the BFI publication as a viewing guide. [url=https://shop.bfi.org.uk/100-european-horror-films-book.html#.XoeVvogzY2w]Source[/url] -
BFI's 100 Film Musicals
Favs/dislikes: 75:1. "From the coming of sound to the 1960s, the musical was central to Hollywood production. Exhibiting – often in spectacular fashion – the remarkable resources of the Hollywood studios, musicals came to epitomise the very idea of 'light entertainment'. Films like Top Hat and 42nd Street, Meet Me in St. Louis and On the Town, Singin' in the Rain and Oklahoma!, West Side Story and The Sound of Music were hugely popular, yet were commonly regarded by cultural commentators as trivial and escapist. It was the 1970s before serious study of the Hollywood musical began to change critical attitudes and foster an interest in musical films produced in other cultures. Hollywood musicals have become less common, but the genre persists and both academic interest in and fond nostalgia for the musical shows no signs of abating. 100 Film Musicals provides a stimulating overview of the genre's development, its major themes and the critical debates it has provoked. While centred on the dominant Hollywood tradition, 100 Film Musicals includes films from countries that often tried to emulate the Hollywood style, like Britain and Germany, as well as from very different cultures like India, Egypt and Japan. Jim Hillier and Douglas Pye also discuss post-1960s films from many different sources which adapt and reflect on the conventions of the genre, including recent examples such as Moulin Rouge! and High School Musical, demonstrating that the genre is still very much alive." [url=http://shop.bfi.org.uk/books/bfi-screen-guides/100-film-musical-book.html#.Wg3fhGhSzIU]Source[/url] -
BFI's 100 Road Movies
Favs/dislikes: 72:0. From the earliest days of American cinema, the road movie has been synonymous with American culture and the image America has presented both to itself and the world. But the road movie is not uniquely American, and other national cinemas have offered their own take, adapting it to reflect their own sensibilities and geographies. Whatever its nationality, the road movie has presented a means by which to challenge and confront convention, remaining an ever-changing, fascinating metaphor for life. Beginning with an expansive essay tracing its historical development, "100 Road Movies" provides a comprehensive guide to the development of what is perhaps one of the most enduring, popular, and reflexive of sub-genres. -
BFI's 100 Science Fiction Films
Favs/dislikes: 115:2. "Since its explosion in the 1950s, science fiction has become one of the most popular film genres, with numerous dedicated fan conventions, academic conferences, websites, magazines, journals, book clubs, memorabilia and collectibles. Once relegated to B budget status, today's science fiction films are often blockbuster productions, featuring major stars. Despite its high profile, science fiction is notoriously difficult to define. In his introduction to 100 Science Fiction Films, Barry Keith Grant explains the genre's complexities, while also providing an overview of its history, suggesting that the cinema is an ideal medium for conveying the 'sense of wonder' that critics have argued is central to the genre. From Georges Melies's Le Voyage dans la lune (1902), to the blockbusters of the 1970s that dramatically changed Hollywood, to the major releases of the past few years, the films featured in this book represent a range of periods, countries and types (including alien invasion, space travel, time travel, apocalypse, monsters and anime), and cover the key directors and writers. 100 Science Fiction Films provides a lively and illuminating guide to the genre from the beginning of film history to the present, taking the reader on a comprehensive tour through the rich and varied alternate universe of sci-fi cinema." [url=http://shop.bfi.org.uk/100-science-fiction-films-book.html#.Wg3hHmhSzIU]Source[/url] -
BFI's 100 Westerns
Favs/dislikes: 65:1. "Addresses the perennial appeal of the Western, exploring its 19th century popular culture, and its relationship to the economic structure of Hollywood. This work considers the defining features of the Western and traces its main cycles, from the epic Westerns of the 1920s and singing cowboys of the 1930s to the Spaghetti Westerns of the 1960s." [url=https://www.amazon.com/Westerns-Screen-Guides-Edward-Buscombe/dp/1844571114]Source[/url] -
BFI's 360 Classic Feature Films Project
Favs/dislikes: 122:0. Deciding that Londoners should have the opportunity to view a film masterpiece approximately every day during the course of the year, BFI film archivist David Meeker approached the board of directors at the BFI in 1982 with his idea of compiling a list of 360 of the world’s cinema masterpieces, collect brand new, state-of-the-art prints of each film and issue a companion book for each movie. This list of films, referred to as the 360 Classic Feature Films project, was published in Sight and Sound's June 1998 issue. -
BFI's Dustin Hoffman: 10 Essential Films
Favs/dislikes: 2:0. From The Graduate to Rain Man, we celebrate the career of two-time Oscar winner Dustin Hoffman, one of the finest actors of his generation. In the early 1960s, if casting directors were looking for a leading man, he was more likely to resemble Paul Newman than he was Dustin Hoffman. Hoffman – skinny-faced and unprepossessing – was working as a jobbing stage actor in New York when he found himself in the running for the lead role in a new Mike Nichols film. After his audition out in Hollywood, the story goes that Hoffman reached out to shake the prop man’s hand and a pile of NYC subway tokens fell out of his pocket. The man’s response as he helped gather them? “You’re gonna need these, kid.” Luckily for all of us, he didn’t end up needing them. Instead, Dustin Hoffman would unexpectedly take on the lead role as Benjamin Braddock in The Graduate (1967). Since then, he’s been one of the most dynamic actors in Hollywood, continually defying expectations, casting vanity aside and refusing to be pigeonholed. Here are 10 of his finest films. Christina Newland Published: 31 May 2017 -
BFI's The best Japanese film of every year – from 1925 to 2019
Favs/dislikes: 7:0. -
BFI's Top 10 Bangladeshi films
Favs/dislikes: 4:0. British Film Institutes Top 10 movies from Bangladesh. -
B+ and Up
Favs/dislikes: 19:0. The A.V. Club reviews most of the cinematic landscape on a scale from A to F. All movies with a rating of B+ or higher are listed here. (Starting from January 1st 2006) -
Brighton Film Academy's 100 Documentary Films to Watch
Favs/dislikes: 8:0. The goals with this list were as follows: To, try not to include more than one film from the same director. Two, to cover a broad range of topics and styles, and not just what is currently popular. -
British Film Institute's Top 50 Films for Children
Favs/dislikes: 23:1. “50 films you should see by the age of 14” is a list created by the British Film Institute in 2005 in order to inspire parents and educators to take movies as seriously as books and other kinds of art. It was created by more than 70 experts including film producers, teachers, authors and critics who all made their own top ten. -
Cahiers du Cinéma's 100 Films for an Ideal Cinematheque
Favs/dislikes: 247:1. The top 100 most essential films of 78 French film directors, critics and industry executives. The list was compiled for and published in the French Cahiers du cinéma film magazine. [url=https://www.cahiersducinema.com/produit/100-films/]Source[/url] -
Cahiers du Cinéma's Annual Top 10 Lists
Favs/dislikes: 264:5. Cahiers du cinéma is an influential French film magazine founded in 1951. The magazine has picked its top ten films of the year, most years. Top ten films were not picked in the years 1952-1954, 1969-1980, and in the year 2003. Rankings can be viewed in my source list URL, or via the link provided in the comments section. In some cases, films tie for a certain spot in the yearly top 10; for example, 2012's #4 spot is tied between three films (consequently, there is no #5 or #6). Some directors definitely appear to be heavily preferred by those responsible for selecting the list. This list does not include the special "best of 1990s" and "best of 2000s" decade lists, though most of those twenty films are included here. (The exceptions are David Lynch's TV show Twin Peaks on the 1990s list, and Gus Van Sant's Elephant, Abdellatif Kechiche's The Secret of the Grain, and Steven Spielberg's War of the Worlds on the 2000s decade list.) Other anomalies: The TV show "24" tied for the #10 spot in 2002, along with Gus Van Sant's Gerry. Gerry also tied for #6 on the 2004 list. A TV episode "Travolta et moi" (dir. Patricia Mazuy) from the show "Tous les garçons et les filles de leur âge..." was selected as #6 in 1994. Claire Denis' episode "US Go Home" from the same series rated #9 in 1994. Raul Ruiz's Les trois couronnes du matelot (Three Crowns of the Sailor) tied for #7 in 1983 and tied for #8 in 1982. 1968's #4 spot for Histoires extraordinaires is specifically for Federico Fellini's segment "Toby Damnit." 1965's #4 spot for Paris vu par... is specifically for the Jean Rouch episode. 1959's #3 spot was claimed by Eisenstein's Ivan the Terrible. Since Part II was released in 1958, it is possible that the award was for Part II, but since my sources didn't specify a part and both parts may have been shown together, I have included Parts I & II in the list. Love it or hate it, here it is... [url=https://en.wikipedia.org/wiki/Cahiers_du_cin%C3%A9ma%27s_Annual_Top_10_Lists]Source[/url] -
Cahiers du Cinéma's Greatest Films (9-15 votes)
Favs/dislikes: 25:0. In a 2007, Cahiers du Cinéma asked 78 critics and historians to vote for the 100 greatest films. The cutoff for the [url=http://www.icheckmovies.com/lists/cahiers+du+cinema+100/]top 100[/url] was 16 votes. This is a list of films that received 9-15 votes. See [url=https://docs.google.com/spreadsheet/pub?key=0AhCbA3xledPhdF8wbjFkZ2V4eFhzRy0zYkdaNkRzaXc]this spreadsheet[/url] for the vote counts. -
Caribbean Film Database's Caribbean Classics
Favs/dislikes: 3:0. The Caribbean Film Database includes a section of classic films. These are films that live on from generation to generation because they are exceptionally well-made and reflect universal stories that transcend their period. There is a rich cinematic history in the Caribbean consisting of films from throughout the region that have not necessarily had wide-scale distribution or reached international audiences. Some films from our selection are more well known—The Harder They Come from Jamaica, for example—but other equally well-crafted films like Ava and Gabriel from Curaçao or One People from Suriname have had less recognition. In an effort to provide more exposure to the history of Caribbean filmmaking, we present the following selection of Caribbean Classics. Missing from IMDB: Dead Man's Gold (1932, Louis Tucker) Barbados, United Kingdom (1) Cuba (2-4) Cuba, Mexico, Spain (5) Dominican Republic (6-8) France, Germany, Haiti, United States of America (9) France, Martinique (10) France, Netherlands, Netherlands Antilles (11) Germany, Haiti, Canada, France (12) Guadaloupe, France (13) Guyana (14-15) Haiti (16-17) Haiti, United States of America (18) Jamaica (19-23) Netherlands, Netherlands Antilles (24) Puerto Rico (25-26) Puerto Rico, Mexico (27) Suriname, Netherlands (28) Trinidad and Tobago (29-33) Trinidad and Tobago, United Kingdom (34-35) United Kingdom (36-44) United States of America, Barbados (45) -
Cascade Festival of African Films
Favs/dislikes: 0:0. The Cascade Festival of African Films is the longest-running annual, non-profit, non-commercial, largely volunteer-run African Film Festival in the United States. - All films screened since 1991 - Sorted by country of origin, year, then title Missing from IMDB: My Dinner With the Devil Snake*, Jim Blashfield (USA) Nightmare in Paradise, Hilton Fyle (Sierra Leone) From Sun-Up*, Flora M’mbugu-Schelling (Tanzania) Adama, the Fulani Musician*, Taale Laafi Rosellini (Burkina Faso) Great Great Grandparents’ Music*, Taale Laafi Rosellini (Burkina Faso) My Dinner With the Devil Snake*, Jim Blashfield (USA) Crossroads of People*, Kwaw P. Ansah (Ghana) Battle of the Sacred Tree, The*, Wanjiru Kinyanjui (Kenya) Jim Comes to Jo’burg*, Donald Swanson (South Africa) Our Friends at the Bank*, Peter Chappell (Uganda/France) Out in Africa*, Johnny Symons (South Africa/Zim/USA) Bilalian, Aminah AbdulJabbaar (USA/Senegal/Gambia) It’s My Life*, Brian Tilley (South Africa) Naguib Mahfouz*, Francka Mouloudi (Egypt) Beat of Distant Hearts, The*, Danielle Smith (Western Sahara/Algeria) Benjamin & His Brother*, Arthur Howes (Sudan/UK/USA) Afro@Digital*, Bakupa-Kanyinda (Congo DRC/France) Return of Sara Baartman, The*, Zola Maseko (South Africa) Hot Chili*, Moabi Mogorosi (Botswana) Ko-Falen/The Gift Exchange, Baba Wagué Diakité (USA/Mali) Welcome to Mali, Penda Diakité (USA/Mali) Crossroads of People*, Kwaw P. Ansah (Ghana) Golden Stool, The*, Kwaw P. Ansah (Ghana) That’s My Face/É Minha Cara*, Thomas Allen Harris (USA/Brazil) Lion Mountains, The*, Louis Buckley (Sierra Leone/UK) Fallen Beats, The*, Dhaba Wayessa (Ethiopia/USA) Meteni The Lost One*, Wondwossen Deress (Ethiopia) Taarab: An Ocean of Melodies*, Abdulkadir Ahmed Said (Tanzania/South Africa) Coming of Age*, Judy Kibinge (Kenya) Obara & the Merchants, Manauvaskar Kublall (USA) Paris or Nothing, Joséphine Ndagnou (Cameroon/France) Senegalese Women & Islam*, Angèle Diabang Brener (Senegal) Arranged by country of origin Algeria (1-3) Algeria, Belgium, France, Morocco (4) Algeria, Belgium, Qatar, France (5) Algeria, France (6-8) Algeria, France, Germany (9) Algeria, Senegal, Tunisia (10) Angola (11) Angola, France, Congo (12) Angola, France, Portugal (13) Angola, Portugal (14) Australia (15) Australia, Rwanda, United Kingdom (16) Austria, Belgium, France, Germany, Tanzania (17) Austria, Egypt, United States of America (18) Austria, France, Germany, Nigeria, United Kingdom, United States of America (19) Barbados, United Kingdom (20) Belgium (21-22) Belgium, Chad, France (23) Belgium, China, France, Gabon (24) Belgium, Congo (25) Belgium, Congo, France (26) Belgium, Congo, France, Qatar (27) Belgium, Denmark, France, Morocco (28) Belgium, France (29) Belgium, France, Gabon (30) Belgium, France, Germany, Rwanda (31) Belgium, France, Italy, Spain (32) Belgium, France, Morocco (33) Belgium, France, Morocco, Tunisia, United States of America (34) Belgium, France, Tunisia (35-36) Belgium, France, Zaire (37) Belgium, Mauritania (38) Belgium, Senegal (39) Belgium, Tunisia (40) Benin (41) Benin, Burkina Faso, Mali, Senegal, Togo (42) Benin, France (43) Burkina Faso (44-48) Burkina Faso, Cameroon, France, Morocco, Senegal, Tunisia (49) Burkina Faso, Ethiopia, Germany, Ghana, United Kingdom, United States of America (50) Burkina Faso, France (51-57) Burkina Faso, France, Germany, Japan, Mali (58) Burkina Faso, France, Germany, Switzerland, United Kingdom (59) Burkina Faso, France, Mauritania (60) Burkina Faso, France, Niger (61) Burkina Faso, France, Switzerland (62-63) Burkina Faso, Germany (64) Burkina Faso, Switzerland, France (65) Burundi (66) Burundi, France, Switzerland (67) Cameroon (68-75) Cameroon, Burkina Faso (76) Cameroon, Central African Republic, France, Gabon (77) Cameroon, France (78-79) Cameroon, France, Germany (80) Cameroon, France, United Kingdom, Zimbabwe (81) Cameroon, United Kingdom (82) Canada (83-85) Canada, Cote D'Ivoire, France (86) Canada, Ethiopia (87) Canada, France, Senegal (88) Canada, Kenya, United Kingdom, United States of America (89) Canada, Trinidad and Tobago (90) Central African Republic, Congo, France (91) Chad, France (92) Chad, France, Austria, Belgium (93) Chad, France, Burkina Faso (94) Chad, France, Germany, Qatar, Sudan (95) Congo, Belgium, France (96) Congo, France (97-98) Cote D'Ivoire (99) Cote D'Ivoire, Burkina Faso, France, Italy, Switzerland (100) Cote D'Ivoire, France (101-102) Cuba (103-104) Cuba, Spain, France (105) Czechoslovakia, United States of America (106) Djibouti, France (107) Egypt (108-121) Egypt, France (122) Egypt, France, Germany, Norway, Qatar, Sudan (123) Egypt, France, Netherlands, Greece (124) Egypt, Germany, Tunisia (125) Egypt, United Kingdom, United States of America (126) Egypt, United States of America (127-128) Eritrea, United States of America (129) Ethiopia (130-132) Ethiopia, France, Germany (133) Ethiopia, Germany (134) Ethiopia, Germany, United States of America (135) Ethiopia, South Africa (136) Ethiopia, United States of America (137-139) Finland, France, Germany (140) France (141-148) France, Algeria (149-151) France, Belgium (152) France, Belgium, Luxembourg (153) France, Burkina Faso (154-155) France, Burkina Faso, Senegal (156) France, Cameroon (157) France, Cameroon, Gabon (158) France, Chad (159-160) France, Cote D'Ivoire (161) France, Germany (162) France, Germany, United Kingdom, Zambia (163) France, Guinea (164) France, Guinea-Bissau, Portugal, United Kingdom, Switzerland (165) France, Italy, Netherlands, Senegal, Switzerland, United Kingdom (166) France, Italy, Tunisia (167) France, Kenya (168) France, Madagascar (169) France, Mali, Senegal (170) France, Mali, United States of America (171) France, Martinique (172) France, Mauritania (173) France, Morocco (174-177) France, Mozambique, Portugal (178) France, Netherlands, Chad (179) France, Rwanda, United States of America (180) France, Senegal (181-186) France, South Africa (187) France, South Africa, Netherlands (188) France, Tunisia (189-192) France, Tunisia, Egypt (193) France, United Kingdom, Morocco (194) France, United Kingdom, South Africa (195) France, United States of America (196) France, Zimbabwe (197) Gabon, France (198) Germany (199-200) Germany, Belgium, Chad, France (201) Germany, Cameroon, France (202) Germany, Haiti, Canada, France (203) Germany, Israel, France, Ethiopia (204) Germany, Kenya (205-206) Germany, Kenya, South Africa, Uganda (207) Germany, Qatar, South Africa, Sudan (208) Germany, Qatar, South Africa, Tanzania (209) Germany, Senegal (210) Germany, Switzerland, Tunisia (211) Germany, United Kingdom (212) Ghana (213-220) Ghana, France, Germany (221) Ghana, Mexico, United States of America (222) Ghana, United Kingdom (223) Ghana, United States of America (224-225) Guadaloupe, France (226) Guinea, France (227) Guinea-Bissau (228) Haiti (229) Haiti, France, Germany, Belgium (230) Israel (231-232) Italy, Ethiopia, United States of America (233) Italy, Lesotho, South Africa, United States of America (234) Kenya (235-241) Kenya, Germany (242-244) Kenya, South Africa (245-246) Kenya, United States of America (247) Lesotho, South Africa, United States of America (248) Liberia, United States of America (249) Madagascar, France (250) Madagascar, Reunion (251) Malawi (252) Mali (253-260) Mali, France (261) Mali, France, Burkina Faso (262) Mali, France, Mauritania (263) Mali, Germany, Burkina Faso (264) Mali, United Kingdom (265) Mauritania, France (266) Mexico (267-268) Morocco (269-272) Morocco, Belgium, France (273) Morocco, Senegal, France (274) Mozambique (275) Mozambique, Portugal (276-278) Namibia (279-280) Netherlands, South Africa (281) Niger (282-283) Niger, France (284-285) Nigeria (286-303) Nigeria, United Kingdom (304-307) Nigeria, United States of America (308-309) Norway, France, Ethiopia, Qatar, Germany (310) Portugal, France, Luxembourg (311) Portugal, Mozambique, Brazil (312) Portugal, Mozambique, Sweden (313) Qatar, France, Burkina Faso (314) Qatar, France, Lebanon, Norway, Sweden, Switzerland, Tunisia (315) Qatar, Sudan (316) Qatar, Swaziland, United States of America (317) Rwanda (318-321) Rwanda, France, United States of America (322) Senegal (323-335) Senegal, Belgium, France (336) Senegal, Canada, France (337) Senegal, France (338-339) Senegal, France, Germany (340) Senegal, France, Germany, United States of America (341) Senegal, Switzerland, France (342) Senegal, Switzerland, Germany, France (343) Senegal, United States of America (344) Sierra Leone, United States of America (345) South Africa (346-380) South Africa, Austria (381) South Africa, France (382-383) South Africa, France, Egypt (384) South Africa, Kenya (385-386) South Africa, Nigeria, Namibia (387) South Africa, Sudan (388) South Africa, Switzerland, Rwanda (389) South Africa, Tanzania (390) South Africa, United Kingdom (391-392) South Africa, United States of America (393-395) South Sudan (396) Spain, Morocco (397) Sudan, United Kingdom (398) Sweden, Uganda (399) Switzerland, United States of America, Ghana (400) Tanzania (401-402) Tanzania, United States of America (403) Tunisia (404) Tunisia, France (405-408) Tunisia, Switzerland, Qatar (409) Uganda (410-412) United Kingdom (413-417) United Kingdom, Canada, Qatar, Lebanon, Libyan Arab Jamahiriya, Netherlands, United States of America (418) United Kingdom, Iran, Switzerland, Tunisia, Hungary, France, Germany (419) United Kingdom, Nigeria (420-421) United Kingdom, Sudan (422) United Kingdom, Tanzania (423) United Kingdom, United States of America (424-426) United Kingdom, Zambia (427) United States (428-429) United States of America (430-471) United States of America, Ethiopia, Germany (472) United States of America, Ethiopia, Qatar (473) United States of America, Kenya, Liberia, South Africa (474) United States of America, Mozambique (475) United States of America, Senegal (476) United States of America, South Africa (477) United States of America, South Africa, Uganda (478) United States of America, Tanzania (479-480) United States of America, United Kingdom (481) Uruguay (482) Zimbabwe (483-491) -
Cine libre!
Favs/dislikes: 4:0. "Cine libre!" was (or is) a film cycle in Switzerland, where leftists rooted in different socialist traditions gathered. Traditionally they shared a meal, watched a movie and discussed it afterwards, contextualizing, criticising or enhancing its narrative. -
Cinema 16 British Short Films
Favs/dislikes: 3:0. This critically acclaimed DVD contains 16 of the best classic and award winning British short films and delivers a snapshot of British cinema past and present. (missing on the list: UK Images by Martin Parr) -
Cinemateca Portuguesa's Top 100 European Films
Favs/dislikes: 33:0. The results of a 1994 poll of dozens of distinguished film critics and historians, who each picked their top 100 European films. Part of the book "100 dias 100 filmes". We present here an extended version of that top 100, with all film selected by more than 10 voters. Among the responses Cinemateca received, we can find those of Anti Alanen (Helsinki), João Bénard da Costa (Lisboa), Paolo Bertetto (Torino), Freddy Buache (Lausanne), André Chevallier (Lausanne), José Manuel Costa (Lisboa), Robert Daudelin (Montréal), Catherine Gautier (Madrid), Chris Horak (Rochester), Mathias Knop (Wiesbaden), Alain Marchand (Paris), Bernard Martinand (Paris), David Meeker (London), Ib Monty (Kobenhavn), Anne Morra (New York, MOMA), Dominique Païni (Paris), Enno Patalas (Munchen), José Maria Prado (Madrid) and Sergio Toffetti (Torino). -
Cinemateket's 100 Swedish Films you have to see
Favs/dislikes: 5:0. Between 2010 and 2015 the cinematheque (Cinemateket) at the Swedish Film Institute conducted a series of screenings of 100 Swedish films it wanted to highlight. Be it because the films were innovative, were highly debated, are forgotten gems, or simply because they're masterpieces. The list is by no means ranked. The films were continually selected by the programming staff and invited guests such as directors, actors and critics. -
Cinematheque Ontario's Best Films of the 90s
Favs/dislikes: 20:0. At the end of the 1990s, Cinematheque Ontario (the former name of TIFF) asked 59 film curators, archivists, and programmers from around the world to vote for the best films of the 1990s. TIFF also made a list of the [url=http://www.icheckmovies.com/lists/tiffs+best+of+the+decade+an+alternative+view+2000s/mjf314/]best films of the 2000s[/url].
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