Official lists - page 5
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BFI's 100 Animated Feature Films
Favs/dislikes: 172:5. This list is from Andrew Osmond's book [url=http://filmstore.bfi.org.uk/acatalog/info_17635.html]100 Animated Feature Films[/url] (2011). "Andrew Osmond provides an entertaining and illuminating guide to the endlessly diverse styles, cultures, and visions of the genre, with entires on 100 of the most interesting and important animated films from around the world, from the 1920s to the present day." [url=http://shop.bfi.org.uk/books/100-animated-feature-films-book.html#.Wgyw3GhSzIU]Source[/url] -
BFI's 100 European Horror Films
Favs/dislikes: 120:2. Part of the BFI Screen Gudes series, this book provides thoughtful analysis on one hundred European horror films from the silent era to the present day. This list is for those using the BFI publication as a viewing guide. [url=https://shop.bfi.org.uk/100-european-horror-films-book.html#.XoeVvogzY2w]Source[/url] -
BFI's 100 Film Musicals
Favs/dislikes: 75:1. "From the coming of sound to the 1960s, the musical was central to Hollywood production. Exhibiting – often in spectacular fashion – the remarkable resources of the Hollywood studios, musicals came to epitomise the very idea of 'light entertainment'. Films like Top Hat and 42nd Street, Meet Me in St. Louis and On the Town, Singin' in the Rain and Oklahoma!, West Side Story and The Sound of Music were hugely popular, yet were commonly regarded by cultural commentators as trivial and escapist. It was the 1970s before serious study of the Hollywood musical began to change critical attitudes and foster an interest in musical films produced in other cultures. Hollywood musicals have become less common, but the genre persists and both academic interest in and fond nostalgia for the musical shows no signs of abating. 100 Film Musicals provides a stimulating overview of the genre's development, its major themes and the critical debates it has provoked. While centred on the dominant Hollywood tradition, 100 Film Musicals includes films from countries that often tried to emulate the Hollywood style, like Britain and Germany, as well as from very different cultures like India, Egypt and Japan. Jim Hillier and Douglas Pye also discuss post-1960s films from many different sources which adapt and reflect on the conventions of the genre, including recent examples such as Moulin Rouge! and High School Musical, demonstrating that the genre is still very much alive." [url=http://shop.bfi.org.uk/books/bfi-screen-guides/100-film-musical-book.html#.Wg3fhGhSzIU]Source[/url] -
BFI's 100 Road Movies
Favs/dislikes: 72:0. From the earliest days of American cinema, the road movie has been synonymous with American culture and the image America has presented both to itself and the world. But the road movie is not uniquely American, and other national cinemas have offered their own take, adapting it to reflect their own sensibilities and geographies. Whatever its nationality, the road movie has presented a means by which to challenge and confront convention, remaining an ever-changing, fascinating metaphor for life. Beginning with an expansive essay tracing its historical development, "100 Road Movies" provides a comprehensive guide to the development of what is perhaps one of the most enduring, popular, and reflexive of sub-genres. -
BFI's 100 Science Fiction Films
Favs/dislikes: 115:2. "Since its explosion in the 1950s, science fiction has become one of the most popular film genres, with numerous dedicated fan conventions, academic conferences, websites, magazines, journals, book clubs, memorabilia and collectibles. Once relegated to B budget status, today's science fiction films are often blockbuster productions, featuring major stars. Despite its high profile, science fiction is notoriously difficult to define. In his introduction to 100 Science Fiction Films, Barry Keith Grant explains the genre's complexities, while also providing an overview of its history, suggesting that the cinema is an ideal medium for conveying the 'sense of wonder' that critics have argued is central to the genre. From Georges Melies's Le Voyage dans la lune (1902), to the blockbusters of the 1970s that dramatically changed Hollywood, to the major releases of the past few years, the films featured in this book represent a range of periods, countries and types (including alien invasion, space travel, time travel, apocalypse, monsters and anime), and cover the key directors and writers. 100 Science Fiction Films provides a lively and illuminating guide to the genre from the beginning of film history to the present, taking the reader on a comprehensive tour through the rich and varied alternate universe of sci-fi cinema." [url=http://shop.bfi.org.uk/100-science-fiction-films-book.html#.Wg3hHmhSzIU]Source[/url] -
BFI's 100 Westerns
Favs/dislikes: 66:1. "Addresses the perennial appeal of the Western, exploring its 19th century popular culture, and its relationship to the economic structure of Hollywood. This work considers the defining features of the Western and traces its main cycles, from the epic Westerns of the 1920s and singing cowboys of the 1930s to the Spaghetti Westerns of the 1960s." [url=https://www.amazon.com/Westerns-Screen-Guides-Edward-Buscombe/dp/1844571114]Source[/url] -
BFI's Top 100 British Films
Favs/dislikes: 131:0. The best 100 British films were chosen by 1,000 people from the UK's film industry, including producers, directors, writers, actors, technicians, academics, exhibitors, distributors, executives and critics. The final selection spans seven decades and accommodates the work of 70 film directors. Unsurprisingly, literary adaptations feature strongly - ranging from Shakespeare and Dickens to Roddy Doyle and Irvine Welsh - and the highbrow mixes easily with the low. [url=http://news.bbc.co.uk/2/hi/entertainment/455170.stm]Source[/url] -
Cahiers du Cinéma's 100 Films for an Ideal Cinematheque
Favs/dislikes: 247:1. The top 100 most essential films of 78 French film directors, critics and industry executives. The list was compiled for and published in the French Cahiers du cinéma film magazine. [url=https://www.cahiersducinema.com/produit/100-films/]Source[/url] -
FilmTotaal Forum's Top 100
Favs/dislikes: 172:11. To reward the help iCheckMovies has received from the filmtotaal.nl community with testing our site, we have awarded filmtotaal.nl with their own top list. Each year, the filmtotaal.nl users submit their list of favorite movies, of which the top 100 were compiled into this list. Note (2017-02-16): Due to a decreasing active base, the list has been reverted to the version of 2009. [url=http://forum.filmtotaal.nl/viewtopic.php?f=31&t=5675]Source[/url] -
FilmTV's The Best Italian Films
Favs/dislikes: 38:0. Greatest Italian films according to 109 critics/scholars and 50 filmmakers. Note - this entry is just for one segment of an anthology film: Ro.Go.Pa.G = La ricotta (Pier Paolo Pasolini, 1963) -
Grindhouse Cinema Database's Top Grindhouse Classics
Favs/dislikes: 120:5. This list has been compiled by aggregating the movies in three different lists: [url=http://www.grindhousedatabase.com/index.php/The_Deuce_Top_20_(2007-08)]The Deuce Top 20 (2007-08)[/url], [url=http://www.grindhousedatabase.com/index.php/The_Deuce_Top_20_(2008-09)]The Deuce Top 20 (2008-09)[/url] and [url=http://www.grindhousedatabase.com/index.php/Quentin_Tarantino%27s_Top_20_Grindhouse_Classics]Quentin Tarantino's Top 20 Grindhouse Classics[/url]. The movies in this list all belong to classic international exploitatation/cult cinema movies. -
iCheckMovies's Pre-1910s Top 100
Favs/dislikes: 22:0. -
iCheckMovies's 1910s Top 100
Favs/dislikes: 11:0. -
iCheckMovies's 1920s Top 100
Favs/dislikes: 14:0. -
iCheckMovies's 1930s Top 100
Favs/dislikes: 14:0. -
iCheckMovies's 1940s Top 100
Favs/dislikes: 15:0. -
iCheckMovies's 1950s Top 100
Favs/dislikes: 13:1. -
iCheckMovies's 1960s Top 100
Favs/dislikes: 10:1. -
iCheckMovies's 1970s Top 100
Favs/dislikes: 10:1. -
iCheckMovies's 1980s Top 100
Favs/dislikes: 13:1. -
iCheckMovies's 1990s Top 100
Favs/dislikes: 13:1. -
iCheckMovies's 2000s Top 100
Favs/dislikes: 13:1. -
iCheckMovies's 2010s Top 100
Favs/dislikes: 15:1. -
iCheckMovies's 2020s Top 100
Favs/dislikes: 41:2. -
KOFA's 100 Korean Films
Favs/dislikes: 49:3. In 2013, the Korean Film Archive asked 62 film scholars, professors, critics and curators to vote for the top 100 Korean films. The top 12 is ranked and the rest is in chronological order. 3 films tied for 1st place. [url=https://eng.koreafilm.or.kr/kofa/publication/books/PB_0000000170?page=&year=]Source[/url] KOFA previously made a list of the [url=https://www.icheckmovies.com/lists/kofas+100+korean+films+1936-1996/mjf314/]top 100 Korean films from 1936-1996[/url].
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