All lists

iCheckMovies allows you to check many different top lists, ranging from the all-time top 250 movies to the best science-fiction movies. Please select the top list you are interested in, which will show you the movies in that list, and you can start checking them!

  1. BFI's 100 American Independent Films (original version, 2004)'s icon

    BFI's 100 American Independent Films (original version, 2004)

    Favs/dislikes: 1:0. The bottom 25 entries (films ranked #76-100) were removed and replaced by 25 other films in the [url=https://www.icheckmovies.com/lists/bfis+100+american+independent+films/]updated 2nd edition of this book[/url]. These are the 25 movies added into the 2nd edition from 2009: Billy Jack Brick Chain Detour Half Nelson In Search of a Midnight Kiss Junebug Juno The Machinist Man Push Cart Me and You and Everyone We Know Medium Cool Mutual Appreciation Napoleon Dynamite Old Joy On the Bowery The Savages Secretary Shotgun Stories Strange Culture Synecdoche, New York Targets Tarnation The Woodsman Zoo ISBN 1-84457-006-1
  2. Sight & Sound's Directors’ 100 Greatest Films of All Time's icon

    Sight & Sound's Directors’ 100 Greatest Films of All Time

    Favs/dislikes: 2:0. Every decade since 1992, Sight and Sound has complemented its celebrated critics’ poll by formally sounding out the world’s leading directors on the ten films they believe to be the greatest of all time. Though it has always been global and inclusive in scope, the poll has expanded significantly each decade. In 1992, 101 directors voted; fast-forward to 2012, when 358 filmmakers took part. This year, for the fourth edition of the poll, we received ballots from 480 directors. This electorate spans experimental, arthouse, mainstream and genre filmmakers from around the world. In every case, the voter is a director of note. Here are the 100 greatest films of all time, as voted for by many of today’s greatest living filmmakers.
  3. Sight & Sound's The Greatest Films of All Time (Critics)'s icon

    Sight & Sound's The Greatest Films of All Time (Critics)

    Favs/dislikes: 2:0. In 1952, the Sight and Sound team had the novel idea of asking critics to name the greatest films of all time. The tradition became decennial, increasing in size and prestige as the decades passed. The Sight and Sound poll is now a major bellwether of critical opinion on cinema and this year’s edition (its eighth) is the largest ever, with 1,639 participating critics, programmers, curators, archivists and academics each submitting their top ten ballot.
  4. Cascade Festival of African Films's icon

    Cascade Festival of African Films

    Favs/dislikes: 0:0. The Cascade Festival of African Films is the longest-running annual, non-profit, non-commercial, largely volunteer-run African Film Festival in the United States. - All films screened since 1991 - Sorted by country of origin, year, then title Missing from IMDB: My Dinner With the Devil Snake*, Jim Blashfield (USA) Nightmare in Paradise, Hilton Fyle (Sierra Leone) From Sun-Up*, Flora M’mbugu-Schelling (Tanzania) Adama, the Fulani Musician*, Taale Laafi Rosellini (Burkina Faso) Great Great Grandparents’ Music*, Taale Laafi Rosellini (Burkina Faso) My Dinner With the Devil Snake*, Jim Blashfield (USA) Crossroads of People*, Kwaw P. Ansah (Ghana) Battle of the Sacred Tree, The*, Wanjiru Kinyanjui (Kenya) Jim Comes to Jo’burg*, Donald Swanson (South Africa) Our Friends at the Bank*, Peter Chappell (Uganda/France) Out in Africa*, Johnny Symons (South Africa/Zim/USA) Bilalian, Aminah AbdulJabbaar (USA/Senegal/Gambia) It’s My Life*, Brian Tilley (South Africa) Naguib Mahfouz*, Francka Mouloudi (Egypt) Beat of Distant Hearts, The*, Danielle Smith (Western Sahara/Algeria) Benjamin & His Brother*, Arthur Howes (Sudan/UK/USA) Afro@Digital*, Bakupa-Kanyinda (Congo DRC/France) Return of Sara Baartman, The*, Zola Maseko (South Africa) Hot Chili*, Moabi Mogorosi (Botswana) Ko-Falen/The Gift Exchange, Baba Wagué Diakité (USA/Mali) Welcome to Mali, Penda Diakité (USA/Mali) Crossroads of People*, Kwaw P. Ansah (Ghana) Golden Stool, The*, Kwaw P. Ansah (Ghana) That’s My Face/É Minha Cara*, Thomas Allen Harris (USA/Brazil) Lion Mountains, The*, Louis Buckley (Sierra Leone/UK) Fallen Beats, The*, Dhaba Wayessa (Ethiopia/USA) Meteni The Lost One*, Wondwossen Deress (Ethiopia) Taarab: An Ocean of Melodies*, Abdulkadir Ahmed Said (Tanzania/South Africa) Coming of Age*, Judy Kibinge (Kenya) Obara & the Merchants, Manauvaskar Kublall (USA) Paris or Nothing, Joséphine Ndagnou (Cameroon/France) Senegalese Women & Islam*, Angèle Diabang Brener (Senegal) Arranged by country of origin Algeria (1-3) Algeria, Belgium, France, Morocco (4) Algeria, Belgium, Qatar, France (5) Algeria, France (6-8) Algeria, France, Germany (9) Algeria, Senegal, Tunisia (10) Angola (11) Angola, France, Congo (12) Angola, France, Portugal (13) Angola, Portugal (14) Australia (15) Australia, Rwanda, United Kingdom (16) Austria, Belgium, France, Germany, Tanzania (17) Austria, Egypt, United States of America (18) Austria, France, Germany, Nigeria, United Kingdom, United States of America (19) Barbados, United Kingdom (20) Belgium (21-22) Belgium, Chad, France (23) Belgium, China, France, Gabon (24) Belgium, Congo (25) Belgium, Congo, France (26) Belgium, Congo, France, Qatar (27) Belgium, Denmark, France, Morocco (28) Belgium, France (29) Belgium, France, Gabon (30) Belgium, France, Germany, Rwanda (31) Belgium, France, Italy, Spain (32) Belgium, France, Morocco (33) Belgium, France, Morocco, Tunisia, United States of America (34) Belgium, France, Tunisia (35-36) Belgium, France, Zaire (37) Belgium, Mauritania (38) Belgium, Senegal (39) Belgium, Tunisia (40) Benin (41) Benin, Burkina Faso, Mali, Senegal, Togo (42) Benin, France (43) Burkina Faso (44-48) Burkina Faso, Cameroon, France, Morocco, Senegal, Tunisia (49) Burkina Faso, Ethiopia, Germany, Ghana, United Kingdom, United States of America (50) Burkina Faso, France (51-57) Burkina Faso, France, Germany, Japan, Mali (58) Burkina Faso, France, Germany, Switzerland, United Kingdom (59) Burkina Faso, France, Mauritania (60) Burkina Faso, France, Niger (61) Burkina Faso, France, Switzerland (62-63) Burkina Faso, Germany (64) Burkina Faso, Switzerland, France (65) Burundi (66) Burundi, France, Switzerland (67) Cameroon (68-75) Cameroon, Burkina Faso (76) Cameroon, Central African Republic, France, Gabon (77) Cameroon, France (78-79) Cameroon, France, Germany (80) Cameroon, France, United Kingdom, Zimbabwe (81) Cameroon, United Kingdom (82) Canada (83-85) Canada, Cote D'Ivoire, France (86) Canada, Ethiopia (87) Canada, France, Senegal (88) Canada, Kenya, United Kingdom, United States of America (89) Canada, Trinidad and Tobago (90) Central African Republic, Congo, France (91) Chad, France (92) Chad, France, Austria, Belgium (93) Chad, France, Burkina Faso (94) Chad, France, Germany, Qatar, Sudan (95) Congo, Belgium, France (96) Congo, France (97-98) Cote D'Ivoire (99) Cote D'Ivoire, Burkina Faso, France, Italy, Switzerland (100) Cote D'Ivoire, France (101-102) Cuba (103-104) Cuba, Spain, France (105) Czechoslovakia, United States of America (106) Djibouti, France (107) Egypt (108-121) Egypt, France (122) Egypt, France, Germany, Norway, Qatar, Sudan (123) Egypt, France, Netherlands, Greece (124) Egypt, Germany, Tunisia (125) Egypt, United Kingdom, United States of America (126) Egypt, United States of America (127-128) Eritrea, United States of America (129) Ethiopia (130-132) Ethiopia, France, Germany (133) Ethiopia, Germany (134) Ethiopia, Germany, United States of America (135) Ethiopia, South Africa (136) Ethiopia, United States of America (137-139) Finland, France, Germany (140) France (141-148) France, Algeria (149-151) France, Belgium (152) France, Belgium, Luxembourg (153) France, Burkina Faso (154-155) France, Burkina Faso, Senegal (156) France, Cameroon (157) France, Cameroon, Gabon (158) France, Chad (159-160) France, Cote D'Ivoire (161) France, Germany (162) France, Germany, United Kingdom, Zambia (163) France, Guinea (164) France, Guinea-Bissau, Portugal, United Kingdom, Switzerland (165) France, Italy, Netherlands, Senegal, Switzerland, United Kingdom (166) France, Italy, Tunisia (167) France, Kenya (168) France, Madagascar (169) France, Mali, Senegal (170) France, Mali, United States of America (171) France, Martinique (172) France, Mauritania (173) France, Morocco (174-177) France, Mozambique, Portugal (178) France, Netherlands, Chad (179) France, Rwanda, United States of America (180) France, Senegal (181-186) France, South Africa (187) France, South Africa, Netherlands (188) France, Tunisia (189-192) France, Tunisia, Egypt (193) France, United Kingdom, Morocco (194) France, United Kingdom, South Africa (195) France, United States of America (196) France, Zimbabwe (197) Gabon, France (198) Germany (199-200) Germany, Belgium, Chad, France (201) Germany, Cameroon, France (202) Germany, Haiti, Canada, France (203) Germany, Israel, France, Ethiopia (204) Germany, Kenya (205-206) Germany, Kenya, South Africa, Uganda (207) Germany, Qatar, South Africa, Sudan (208) Germany, Qatar, South Africa, Tanzania (209) Germany, Senegal (210) Germany, Switzerland, Tunisia (211) Germany, United Kingdom (212) Ghana (213-220) Ghana, France, Germany (221) Ghana, Mexico, United States of America (222) Ghana, United Kingdom (223) Ghana, United States of America (224-225) Guadaloupe, France (226) Guinea, France (227) Guinea-Bissau (228) Haiti (229) Haiti, France, Germany, Belgium (230) Israel (231-232) Italy, Ethiopia, United States of America (233) Italy, Lesotho, South Africa, United States of America (234) Kenya (235-241) Kenya, Germany (242-244) Kenya, South Africa (245-246) Kenya, United States of America (247) Lesotho, South Africa, United States of America (248) Liberia, United States of America (249) Madagascar, France (250) Madagascar, Reunion (251) Malawi (252) Mali (253-260) Mali, France (261) Mali, France, Burkina Faso (262) Mali, France, Mauritania (263) Mali, Germany, Burkina Faso (264) Mali, United Kingdom (265) Mauritania, France (266) Mexico (267-268) Morocco (269-272) Morocco, Belgium, France (273) Morocco, Senegal, France (274) Mozambique (275) Mozambique, Portugal (276-278) Namibia (279-280) Netherlands, South Africa (281) Niger (282-283) Niger, France (284-285) Nigeria (286-303) Nigeria, United Kingdom (304-307) Nigeria, United States of America (308-309) Norway, France, Ethiopia, Qatar, Germany (310) Portugal, France, Luxembourg (311) Portugal, Mozambique, Brazil (312) Portugal, Mozambique, Sweden (313) Qatar, France, Burkina Faso (314) Qatar, France, Lebanon, Norway, Sweden, Switzerland, Tunisia (315) Qatar, Sudan (316) Qatar, Swaziland, United States of America (317) Rwanda (318-321) Rwanda, France, United States of America (322) Senegal (323-335) Senegal, Belgium, France (336) Senegal, Canada, France (337) Senegal, France (338-339) Senegal, France, Germany (340) Senegal, France, Germany, United States of America (341) Senegal, Switzerland, France (342) Senegal, Switzerland, Germany, France (343) Senegal, United States of America (344) Sierra Leone, United States of America (345) South Africa (346-380) South Africa, Austria (381) South Africa, France (382-383) South Africa, France, Egypt (384) South Africa, Kenya (385-386) South Africa, Nigeria, Namibia (387) South Africa, Sudan (388) South Africa, Switzerland, Rwanda (389) South Africa, Tanzania (390) South Africa, United Kingdom (391-392) South Africa, United States of America (393-395) South Sudan (396) Spain, Morocco (397) Sudan, United Kingdom (398) Sweden, Uganda (399) Switzerland, United States of America, Ghana (400) Tanzania (401-402) Tanzania, United States of America (403) Tunisia (404) Tunisia, France (405-408) Tunisia, Switzerland, Qatar (409) Uganda (410-412) United Kingdom (413-417) United Kingdom, Canada, Qatar, Lebanon, Libyan Arab Jamahiriya, Netherlands, United States of America (418) United Kingdom, Iran, Switzerland, Tunisia, Hungary, France, Germany (419) United Kingdom, Nigeria (420-421) United Kingdom, Sudan (422) United Kingdom, Tanzania (423) United Kingdom, United States of America (424-426) United Kingdom, Zambia (427) United States (428-429) United States of America (430-471) United States of America, Ethiopia, Germany (472) United States of America, Ethiopia, Qatar (473) United States of America, Kenya, Liberia, South Africa (474) United States of America, Mozambique (475) United States of America, Senegal (476) United States of America, South Africa (477) United States of America, South Africa, Uganda (478) United States of America, Tanzania (479-480) United States of America, United Kingdom (481) Uruguay (482) Zimbabwe (483-491)
  5. Alternativa Film Project - 2023 Shortlist's icon

    Alternativa Film Project - 2023 Shortlist

    Favs/dislikes: 0:0. The Alternativa Film Awards present an alternative system for recognizing professionals from different countries and provide a platform for the exchange of experience. We honor films that bring change to the world and society, while appealing to a wide audience. Feature films, documentaries, animation and hybrid films from all Asian countries are eligible for the awards. 2023 - Central Asia This prestigious shortlist comprises 14 full-length films and seven shorts, representing the cinematic prowess of Central Asia and other Asian nations, The awards selection committee included eight feature films and six documentaries in the list of feature-length finalists. Among them are “Bauyryna Salu” (Parenting) by Askhat Kuchinchirekov (Kazakhstan) “Kidnapping of the Bride” by Mirlan Abdykalykov (the Kyrgyz Republic) “Prisoner of Vakhan” by Zhanyl Zhusupzhan (the Kyrgyz Republic) “100% Cotton” by Mikhail Borodin (Uzbekistan) “Qoryqpa” (Do not be afraid) by Katerina Suvorova (Kazakhstan). The list also features “Sunday” by Shokir Kholikov (Uzbekistan) “Tul” (Orphan) by Sharipa Urazbayeva (Kazakhstan) “Who’s Next?” by Nurzhamal Karamoldoeva and Sultana Usuvalieva (Kyrgyzstan) “12 Weeks” by Anna Isabel Matutina (Philippines) “Childless Village” by Reza Jamali (Iran) “Haeil” by Yoojeong No, Eun Lee, Dabin Ahn and Soyeon Kim (South Korea) “Son of Joseph” by Haobam Paban Kumar (India), among others. The shortlist of short films from Central Asia included seven films: “What the Birds Sing About” by Tolomush Zhanybekov (the Kyrgyz Republic) “The Stone Bride” by Guzeli Duishenkulova (Kyrgyzstan) “Bazaar” by Tomiris Orozoeva (the Kyrgyz Republic) “Fairy Tale” by Kamila Rustambekova (Uzbekistan) “Sary-omir” by Rustem Dastanuly (Kazakhstan) “Son of His Father” by Dastan Madalbekov (the Kyrgyz Republic) “Late Wind” by Shugyly Serzhan (Kazakhstan).
  6. A Guide to Latin American, Caribbean, and U.S. Latino-Made Film and Video's icon

    A Guide to Latin American, Caribbean, and U.S. Latino-Made Film and Video

    Favs/dislikes: 0:0. For decades, Latin American independent and national film and video makers have been creating innovative and authentic works about their own realities. Yet most of this work is never seen in the United States. This unique guide helps U.S. educators and media users locate more than four hundred films and videos made by Latin American and U.S. Latino film/video makers that are available in the United States and provides descriptions of each. Films and videos in the guide vary in genre from classic feature films to independent and community-produced documentaries, short fiction, and experimental video art. Of particular interest is a more recent body of video work produced by indigenous film/video makers. Edited by Karen Ranucci and Julie Feldman of the International Media Resource Exchange Scarecrow Press, 1998 ISBN 0-8108-3285-2 Argentina (1-15) Bolivia (16-18) Brazil (19-52) Chile (53-62) Columbia (63-68) Costa Rica (69) Cuba (70-114) Dominican Republic (115) Ecuador (116-118) El Salvador Guatemala (119-122) Guyana Haiti (123-124) Honduras Latin America (125-129) Mexico (130-168) Netherland Antilles Nicaragua (169) Panama (170) Peru (171-177) Puerto Rico (178-181) US (182-193) Uruguay (194-197) Venezuela (198-218) Missing from IMDB Bolivia: Fatal, Fatal, Mirada / Fatal, Fatal Look (1990) Sara Fried Yo No Soy Una Cualquiera / I Am Not a Common Woman (1989) Maria Cristina Civale Bolivia Desconocida: Lago Titicaca (1990) Ariel Perez, Francisco Ormaches Bolivia Desconocida: Tiwanaku (1989) Ariel Perez, Francisco Ormaches Camino de las Almas / Path of the Souls (1989) Eduardo Lopez and Cristina Bubba Z. Los Jallq'a: Identidad y Tejido / The Jailq'a: Identity and Textiles (1987) Francisco Cajias Brazil: Alafin Oyó / TV Viva-Centro Luiz Freire (1989) Além do Trabalhador, Negro (1989) Daniel Brazil Alinhavando Uma Vida Melhor - TV Maxambomba Alô São Paulo (1990) Paolo Baroukh Alto aos Incêndios Florestais / Halting the Fires (1990) Octavio Bezerra Arapuã: Azucrinando nas Escolas (1992) TV Viva-Centro Luiz Freire Axé de Fala / Talking Strong Vibes (1991) TV Viva-Centro Luiz Freire Bairro do Recife: A Dança da Vida (1989) TV Viva-Centro Luiz Freire Balbina: O Marco da Destruição / Balbina: Mark of Destruction (1990) Luis Fernando Santoro Benedita da Silva (1991) Eunice Gutman Bola na Trave (1990) TV Viva-Centro Luiz Freire Camisinha / The Condom (1986) Angela Freitas A Classe Que Sobra (1985) Peter Overbeck Clips of Lula's Presidential Campaign (1989) Luiz Fernando Santoro Construção da Escrita - Taunay M. Daniel A Cor do Sexo (1989) Sergio Melgaco Cordel (1983) Daniel Alves Crisis in Brazil: A Conversation With Andrea Tonacci (1992) Don Lynn and Catherine Benamou Crisis in Brazil: A Conversation With Nilson Araújo (1992) Don Lynn and Catherine Benamou Esquinas da Vida / Corners of Life TV Viva-Centro Luiz Freire Favelas / Slums (1989) Chico Teixeira A Festa da Moça / The Girl's Party (1987) Vincent Carrelli Fruto da Aliança dos Povos da Floresta (1990) Sia Runikue A Fundação do Brasil / The Founding of Brazil (1980) Mo Toledo Garotos do Futuro / Kids of the Future (1988) TV Viva-Centro Luiz Freire Há Lugar / There's Room (1987) Julio Wainer and Juraci de Souza João do Pife (1989) TV Viva-Centro Luiz Freire O Jogo da Dívida: Quem Deve a Quem? / The Debt Game: Who Owns Whom? (1991) Eduardo Coutinho Memória de Mulheres (1991) Maria A. Lemos and Marcia Meireles Mulher Índia (1985) Elaine Bandeira Mulheres Negras / Black Women of Brazil (1986) Silvana Afran Mulheres no Canavial (1986) Jacira Melo, Silvana Afram, Marcia Meirelles Nascimento do Passo (1987) TV Viva-Centro Luiz Freire Oswald: Um Homem Sem Profissão (1990) Marcia Meireles P'Tamuna / P'Tamuna, Son of the Earth (1990) Paulo Baroukh Para Onde? / Where to Now? (1991) Pemp (1988) Vincent Carelli O Povo do Veneno / The Poison People (1991) Julio Azcarate Reportagem Sobre TV Viva / Report About TV Viva (1990) Rito e Expressão / Rite and Expression (19884) Eder Santos A Sangue Frio / In Cold Blood (1989) TV Viva-Centro Luiz Freire Saúva dos Bonecos (1989) TV Viva-Centro Luiz Freire Seca / Drought (1991) TV Viva-Centro Luiz Freire Story of Fausta (1988) Bruno Barreto Taking Aim (1993) Monica Frota Todos os Dias São Seus (1991) Marcia Meireles and Maria A. Lemos Txai Macedo / 1992 Marcia Machado Update Brazil (1986) Nancy Marcotte and Colette Loumede Varela em Xingu / Varela in Xingu (1985) Olhar Electrônico / Marcelo Tas
  7. The Olympiad of Animation's icon

    The Olympiad of Animation

    Favs/dislikes: 0:0. In 1984, ASIFA-Hollywood, the Los Angeles branch of the International Animated Film Association (the group that gives out the annual Annie Awards) decided to celebrate the L.A. Olympics that year with an "Olympics of animation". 100 journalists, scholars, and animation programmers were invited to share their lists of the greatest works of animation in history; 35 responded, and this was the list they collectively came up with.
  8. Sight & Sound 2022 Poll - Films on all ballots's icon

    Sight & Sound 2022 Poll - Films on all ballots

    Favs/dislikes: 6:0. Temporary list, the title of which may also change Eventually this list will be composed of every single film appearing on a ballot for Sight & Sound's The Greatest Films of All Time 2022 poll. Still to be done: rectifying entries for trilogies and multiple films, the mess that is Twin Peaks nominations, and add missing films to imdb so they can be imported to icm. For official list determining purposes... Films on 5+ ballots: 1-833 (up to Zabriskie Point) Films on 4+ ballots: 1-1022 (up to Zimna wojna [Cold War]) Films on 3+ ballots: 1-1344 ( up to Zui hao de shi guang [Three Times]) Films on 2+ ballots: 1-1976 ( up to Ze soboty na neděli [From Saturday to Sunday]) Two 2-vote films are not yet on imdb: Fatima's Letter (1992 Alia Syed) Hayachine no fu [Ode to Mount Hayachine/The Poem of Hayachine Valley] (1983 Sumiko Haneda) Video games nominated so cannot be imported to icm (all with only 1 vote): Bioshock (2007) Home - A VR Spacewalk (2016) Notes on Blindness (2016) More data and statistics are available in a [url=https://docs.google.com/spreadsheets/d/11BGihZPt8niqlBCpnXEh3yCEe9jzes9uoi6GU690PqU/edit?usp=sharing]Google Spreadsheet[/url], including male/female divide, country representation, and more (also a work in progress). Also taking requests for stats. Send a PM or comment on the [url=https://forum.icmforum.com/viewtopic.php?t=5795&view=unread#unread]ICM Forum Thread about this poll[/url]
  9. Sight & Sound's The Greatest Films of All Time 2022 (3+ VOTES)'s icon

    Sight & Sound's The Greatest Films of All Time 2022 (3+ VOTES)

    Favs/dislikes: 5:0. UPDATE OF https://www.icheckmovies.com/lists/sight+and+sounds+the+greatest+films+of+all+time/ The top films in the 2022 Sight and Sound Poll from the combined votes of directors. Contains films with 3 or more votes. In order by number of votes. The following is a list of positions and the number of corresponding votes. 21-23 (91 votes), 28-29 (81 votes), (I'm still working on this part) Missing from IMDB: Fatima's Letter (3 votes) The Apu trilogy received three votes as a single entry so I included the two sequels in that place. Pather Panchali has 79 votes and has been left in its original position in the list.
  10. 100 Thai movies that Thai people should watch's icon

    100 Thai movies that Thai people should watch

    Favs/dislikes: 2:0. Not on IMDb/ICM (as far as I know) https://letterboxd.com/film/ghost-of-mae-nak-1959/ https://letterboxd.com/film/the-houseboat/ https://letterboxd.com/film/money-money-money/ https://letterboxd.com/film/tone/ https://letterboxd.com/film/the-representative/ https://letterboxd.com/film/gunman/ https://letterboxd.com/film/innocent-1991/ Fai yen (1965)? Phromjaree Market (1973 / Directed by Sakka Jaruchinda / Produced by 67 Theater and Film)? The Brass Ring (1973 / Directed by Chao Worawongthee Prince Anusorn Mongkhonkan / Created by Lavo Film)? Sing Samoi (1977)? Mia Luang (1978 / Directed by Wichit Kunawut [5] / Produced by Five Star Productions) The Primitive / Ban Sai Thong ? People outside the country (1981 / directed by Manop Udomdej ) Pluem dir. Bhandit Rittakol 1986? The magic of love (1989 / directed by Toranong Srichua ) https://th.wikipedia.org/wiki/%E0%B9%80%E0%B8%9E%E0%B8%8A%E0%B8%A3%E0%B8%95%E0%B8%B1%E0%B8%94%E0%B9%80%E0%B8%9E%E0%B8%8A%E0%B8%A3 https://th.wikipedia.org/wiki/%E0%B8%A1%E0%B8%99%E0%B8%95%E0%B9%8C%E0%B8%A3%E0%B8%B1%E0%B8%81%E0%B8%A5%E0%B8%B9%E0%B8%81%E0%B8%97%E0%B8%B8%E0%B9%88%E0%B8%87 https://th.wikipedia.org/wiki/%E0%B9%82%E0%B8%97%E0%B8%99_(%E0%B8%A0%E0%B8%B2%E0%B8%9E%E0%B8%A2%E0%B8%99%E0%B8%95%E0%B8%A3%E0%B9%8C)
  11. Edition Filmmuseum's icon

    Edition Filmmuseum

    Favs/dislikes: 1:0. EDITION FILMMUSEUM is a joint project of film archives and cultural institutions in the german-speaking part of Europe. Its ambition is to publish film works of artistic, cultural and historical value in DVD editions that both utilise the possibilities of digital media and meet the quality demands of the archival profession. Missing from IMDB (sigh) Dokumentarisch Arbeiten 1 (Edition #17 - Entire Set missing) -Christoph Hübner im Gespräch mit Jürgen Böttcher 1990, 60' -Christoph Hübner im Gespräch mit Peter Nestler 1994, 63' -Christoph Hübner im Gespräch mit Volker Koepp 1995, 60' -Christoph Hübner im Gespräch mit Klaus Wildenhahn 1995, 62' Crazy Cinématographe. Europäisches Jahrmarktkino 1896-1916 (Edition #18) -The Adventures of "Wee Rob Roy" No. 1 GB 1916, 4' -Bain de pieds à la moutarde F 1902, 2' -Das malerische Luxemburg 1912, 6' -Übertragung der Gebeine des Hl. Willibrord 1906, 2' -Echternacher Springprozession 1906, 5' -Schlussprozession Octave 1911, 3' -Kavalkade 1905, 2' -Blumenkorso 1906 1906, 3' -Trauerzug für Großherzog Wilhelm IV 1912, 5' -Eidesleistung der Großherzogin Marie-Adelheid 1912, 5 -Marie-Adelheid im Kino 1912, 1' -Ein Besuch in der Champagnerfabrik Mercier 1907, 9' -Autofahrt durch Trier ca. 1903, 2' -Domausgang zu Trier 1904, 2' -Domausgang am Ostersonntag 1909, 3' -Fronleichnamsprozession in Trier 1909, 3' -Bilder aus Trier 1902-1909, 5' -Leben und Treiben auf dem Viehmarkt 1909, 2' -Blumenkorso 1914 1914, 3' -Straßenszenen in Saarbrücken ca. 1908, 5' Die Artisten in der Zirkuskuppel: ratlos & Die unbezähmbare Leni Peickert (#21) -5 Stunden Parsifal 1998, 1' -Die traurige Nachricht 2006, 1' Der große Verhau & Willi Tobler und der Untergang der 6. Flotte (#22) -Learning Processes With a Deadly Outcome 2006, 1' -Das gab's nur einmal 2006, 1' Deutschland im Herbst & Die Patriotin (#24) -Neonröhren am Himmel 1998, 1' -100 Jahren deutscher Rhein 1998, 1' Krieg und Frieden & Der Kandidat (#25) -So tückisch sind Friedensschlüsse 2006, 1' -Große Reiche muß man leiten wie man kleine Fischlein brät 1993, 15' -Sturm über Ägypten 2006, 1' Die Macht der Gefühle & Serpentine Gallery Program (#26) -Das tödliche Dreieck 2006, 1' Der Angriff der Gegenwart auf die übrige Zeit & Vermischte Nachrichten (#27) -Jedes Mal nach dem Untergang 2006, 1' Im Rausch der Arbeit & Abschied von der sicheren Seite des Lebens (#29 - Entire Set missing) -Im Rausch der Arbeit 1997, 15' -Clintons Chefökonom 2007, 24' -Postheroisches Management 1999, 24' -"Ab 50 Eisbein wird es schön!" 2007, 15' -Der Brückengeher 2007!", 24' -Frohe Ostern 1998, 24' -Lagergeld 1995, 10' -Projekt Belsazar 1999, 5' -Rette sich, wer kann 2003, 15' -Abschied von der sicheren Seite des Lebens 2002, 25' -"Der Wind, der reinigt das - -" 1993, 15' -Sowjetische Patrioten von 1941 1991, 15' -Achtung Totalverlust! 2001, 15' -"Die brennende Giraffe" 2007, 4' -Nur Dosen wurden gerettet 2003, 15' -Verstand, unterhalb des Verstandes 2008, 4' Liebe macht hellsichtig & Die siamesischen Hände (#30 - Entire Set missing) -Liebe im Raumanzug 2001, 12' -Der schönste Schatz der Evolution 2006, 24' -Liebe macht hellsichtig 2007, 26' -Tod der Lucrezia 1988, 24' -Der Todeskuß 2001, 15' -Schwarzmarkt der Liebe 2005, 25' -Fifi 2007, 2' -Mega-Stars der Liebeskunst 2007, 24' -Für jede Träne einen Blutstropfen! 2004, 19' -Ich komme jeden Morgen zum Sex 1998,14' -Liebe als Passion 1995, 15' -Die siamesischen Hände 2007, 7' -"Liebesschmerz wie stumme Fische" 2001, 4' -Begehren, das die Welt regiert 1998, 14' -Herzkönigin am jüngsten Tag 1995, 23' -Meine Liebe ist tiefer als das Meer 2001, 15' Krieg ist das Ende aller Pläne & Woher wir kommen, wohin wir gehen (#31 - Entire Set missing) -August 1914 2000, 15' -Krieg ist das Ende aller Pläne 2007, 24' -Als Kriegsrichter im November 1918 2005, 15' -Ich knipse für meinen Verlobten 1999, 15' -Zootiere im Bombenkrieg 1995, 16' -Darwin und die Panzerwaffe 1990, 14' -Was ist Krieg? 2002, 24' -Frauen als Kriegerinnen 2005, 11' -Die Sahara wurde Sumpfgebiet 2000, 15' -Von Ur-Ozean und Snowball-Earth 2006, 15' -Zauberwelt der Evolution 2007, 24' -Erst die Musik, dann die Worte 2003, 15' -Vom Lachen und dem aufrechten Gang 2006, 12' -Das flexible Gedächtnis 2006, 20' -Evolution im Universum 2008, 29' Das Kraftwerk der Gefühle & Finsterlinge singen Baß (#33) -Richard Wagner und das Ruinengesetz in der Musik 1990-2007, 50' -"80.000 Opern!" 1994-2006, 33' -"Wovon nicht sprechen kann, davon muss man singen" 1998-2006, 12' -Der Opern-Arzt 2007, 24' -Sopran gegen Bass 1992-2006, 47' -Finsterlinge singen Bass 2002, 24' -Die Stumme von Portici 1998, 14' -Tanz auf dem Vulkan 2001, 10' -Die Sintflut 1999, 8' Thomas Harlan - Wandersplitter (#35) -Die Organigramme 2007, 4' -Am Ararat 2007, 14' Lutz Dammbeck: Filme und Mediencollagen 1975-1986 (#38) -Gespräch mit Lutz Dammbeck - Teil 1&2, 2008, 43' Nerven (#41) -Bilder von der Volksbewegung in München 1919, 3' -München im Zeichen der Räterepublik 1919, 11' Journey to Justice (#42) -Munich, Capital of Bavaria 1947, 37' München 1945 & Zwischen gestern und morgen (#45) -Fronleichnam 3. Juni 1945 München 1945, 9' -Welt im Film: Filmstart in Geiselgasteig 1947, 3' Der Bettler vom Kölner Dom (#52) -Wohnkultur, wie sie war, wie sie ist, wie sie sein soll! 1928, 15'
  12. Five Star Ratings in "Lexikon des Internationalen Films"'s icon

    Five Star Ratings in "Lexikon des Internationalen Films"

    Favs/dislikes: 2:0. Films and TV-Series that received a Five Star Rating by Lexikon des Internationalen Films. *Missing: "Film der Antworten" (art installation)
  13. BFI Flipside (Features + Bonus Films - Complete)'s icon

    BFI Flipside (Features + Bonus Films - Complete)

    Favs/dislikes: 0:0. The BFI Flipside charts "the untold history of British film" through home video releases which are supplemented with additional curated films and supplements. Note: I am choosing to exclude "making of" documentaries or other "extras" content. If its a short film about hammers, then sure its fine, but if it's a documentary about the director, then its a pass. Missing from IMDB: From Stranger in the House (#37): Charlie Chaplin Sails From Southampton (1921) From Legend of the Witches (#39) Out of Step: Witchcraft (1957) From I Start Counting! (#42) New Town from Old (1959) From The Ballad of Tam Lin (#45) Red Red? Red (1971)
  14. Archive außer sich's icon

    Archive außer sich

    Favs/dislikes: 2:0. The four-year project of the Arsenal – Institute for Film and Video Art is a series of interdisciplinary research, presentation, and exhibition projects dealing with film cultural heritage and its archives. What is cultural heritage, what communities and narratives, what addressees and mediation formats can be derived from it and how durable are they? Or: what still unknown archives can the present produce? The basis of this is formed by the idea of the Living Archive: research, digitization, and/or restoration of archival holdings are part of an artistic and curatorial practice of the present understood as participation. The archive is a site of production. Out of the diversity of the starting materials–complete films, films that are damaged or can no longer be reconstructed, ephemeral films, working materials, marginal notes, and objects–as well as the specific localities of the partners–archives, cinemas, festivals, art spaces, universities, public television stations, databanks, a former crematorium–arises a question: What is a film archive today? What claims does the public make on archives and what present and future can be proposed, even speculatively, from archival constellations and new forms of navigation? The archives involved become laboratories for critically reflecting on the category of film heritage, but also “heritage” in general, for instance in relation to colonial or migration history or to the history of political and aesthetic movements. Alongside its value for film history and theory, the project will also contribute to developing new perspectives on the politics of film culture. The term film heritage will be positioned in relation to other classification categories such as “transnational cinema” or “world cinema.” From political, aesthetic, or even chance connections, elective affinities will emerge from the present, contributing to devising new concepts of temporality. Participating institutions: International Short Film Festival Oberhausen, Film Feld Forschung gGmbH, Harun Farocki Institut, SAVVY Contemporary, pong film GmbH and the masters program “Film Culture: Archiving, Programming, Presentation” at the Goethe University Frankfurt. “Archive außer sich” is a project of Arsenal – Institute for Film and Video Art, in the frame of the cooperation “The Whole Life: An Archive Project” together with Haus der Kulturen der Welt, Pina Bausch Foundation and Staatliche Kunstsammlungen Dresden. It is part of HKW’s project “The New Alphabet,” supported by the Federal Government Commissioner for Culture and the Media due to a ruling of the German Bundestag.
  15. Russian VGIK recommendations's icon

    Russian VGIK recommendations

    Favs/dislikes: 1:0. finishing what Nimimerkillen started... The Gerasimov Institute of Cinematography (Russian: Всероссийский государственный университет кинематографии имени С.А.Герасимова, meaning All-Russian State University of Cinematography named after S. A. Gerasimov), a.k.a. VGIK, is a film school in Moscow, Russia. These are the movies they recommend their students to view. http://www.imdb.com/list/ls056547674/ http://www.kinovoid.com/2016/05/vgik-film-list.html
  16. 40 Best Movies to Honor Women’s History Month's icon

    40 Best Movies to Honor Women’s History Month

    Favs/dislikes: 0:0. from Emma Taylor, Accredited Online Colleges 1-10 Biopics 11-20 Chick Flicks/Comedies 21-30 Documentaries/Women’s Issues 31-40 LGBTQ Interest/Social Issues
  17. 101 Greatest Screenplays of the 21st Century by WGA's icon

    101 Greatest Screenplays of the 21st Century by WGA

    Favs/dislikes: 3:0. Fifteen years ago, when the Writers Guild of America West (WGAW) and the Writers Guild of America, East (WGAE) compiled the 101 Greatest Screenplays of all time, the list was nothing short of a 20th century canon. The romantic wartime spy thriller Casablanca (written by the brothers Julius J. & Philip G. Epstein, and Howard Koch) was voted number 1; 99 screenplays later, at 101, was another romantic wartime spy thriller, Notorious (written by Ben Hecht). In between were foundational examples of film noir (Double Indemnity, written by Billy Wilder and Raymond Chandler), romantic comedy (Annie Hall, written by Woody Allen and Marshall Brickman), and gritty social drama (On the Waterfront, written by Budd Schulberg). But “canon” is a double-edged word: Of those 101 scripts, there were no writers of color, and only seven had a female screenwriter credited. 'The new 101 Greatest Screenplays of the 21st Century (*so far) could not but tell a different, and fluid, story. On the prior list, classic films about women, like Sunset Boulevard or All About Eve, were still narrated by men—one lying dead in a swimming pool. There are some 30 female screenwriters this time around, and five writers of color in the top 10. More to the point, there is not the sense that the writer had to contrive a way to make his or her character more…relatable, regardless of race, gender, or sexual orientation. As the number one vote-getter, Get Out is this list’s version of Casablanca: Imagine Jordan Peele pitching his concept to Jack Warner, and it immediately becomes apparent why comparing screenplays across Hollywood epochs is a non-starter. “We weren’t making art, we were making a living,” screenwriter Julius Epstein famously quipped of the studio system under which Casablanca was written. Get Out wasn’t conceived and written under any such restrictions, with a catch: The very concept of “writing for the screen” is in existential crisis. The studio system has given way to the streaming system, where everything, no matter the source, competes for eyeballs. This great (right?) democratization of content has also changed a lot of hard-and-fast rules. There are seven scripts for animated films on the new list. Depth of character, once strictly the province of the drama, or the issue film, is not out of place in a superhero movie or one starring a badly behaving bridesmaid. And formerly individuated genres like sci-fi, horror, comedy, and drama intersect freely, sometimes all in the same screenplay—see Parasite or The Lobster. Some things haven’t changed, list to list. Among the screenwriter’s roles is to reveal what is sick or horribly amiss in the culture. It was as true of Network or The Sweet Smell of Success as it is of The Big Short or Promising Young Woman. Universal themes are universal for a reason. For instance, the destructive nature of outsize power, concentrated in the hands of one apparently friend-less man. Charles Foster Kane, meet Mark Zuckerberg. There are other cool double bills across lists. All the President’s Men and Spotlight; Harold and Maude and Lars and the Real Girl; Sullivan’s Travels and Nomadland. Speaking of which, it is worth noting that most of the protagonists from the 20th century list had enviable job security, even if this meant Mafia boss, intergalactic warrior, or shark hunter. On the new list, occupation no longer defines character; but then again the middle class has vanished, the chasm between rich and poor evinced in movies from Roma to Little Miss Sunshine. And in screenplays like Wall-E, Arrival, or Children of Men, there is the heavy presence of a question: What exactly are we doing to ourselves, if not the planet? Perhaps that’s why the relatively earnest romantic comedy, at least as practiced by Nora Ephron’s When Harry Met Sally, is absent from the new list, unless you count the man-on-operating-system love of Her, or the teenage besties of Superbad and Booksmart. The screenwriters of the 20th century list were men who had either served in war, fled persecution in their home country, or come of age in war’s shadow. Cinema’s first job, until the studio system died and the rebel filmmakers of the 1960s and ’70s came along, was escape. The characters of the 21st century list are plagued by a different sort of battle. It involves the hard-fought realization of selfhood against mitigating forces of circumstance, biology, technology, identity, and neurosis. See Adaptation, Boyhood, Moonlight, and Inside Out. Destiny is now an option question, happily ever after just a construct. From Get Out at number 1, to Silver Linings Playbook at 101, the screenplays on this list invariably approach this question of self with authentic curiosity, boldness of vision, and a sense of artistic—if not personal—risk.
  18. Sci-fi & Marxism: art building other possible worlds's icon

    Sci-fi & Marxism: art building other possible worlds

    Favs/dislikes: 2:1. Films commented on in class 4 of the course "Sci-fi and Marxism: art building other possible worlds".
  19. iCMFFF: (all) Just Before Dawn's icon

    iCMFFF: (all) Just Before Dawn

    Favs/dislikes: 0:0. All the films that featured in the "Just Before Dawn" (Horror) category of iCM Forum's Film Festivals, so far. Films.....Edition --------------------- 01-05.....ICMFFF 1 (2017) 06-12.....ICMFFF 2 (2018) 13-17.....ICMFFF 3 (2019) 18-21.....ICMFFF 4 (2020) 22-25.....ICMFFF 5 (2021) 26-29.....ICMFFF 6 (2022) 30-33.....ICMFFF 7 (2023)
  20. iCMFFF: (all) Documentary's icon

    iCMFFF: (all) Documentary

    Favs/dislikes: 0:0. All the films that featured in the "Documentary" category of iCM Forum's Film Festivals, so far. Films.....Edition --------------------- 01-05.....ICMFFF 1 (2017) 06-11.....ICMFFF 2 (2018) 12-16.....ICMFFF 3 (2019) 17-20.....ICMFFF 4 (2020) 21-24.....ICMFFF 5 (2021) 25-28.....ICMFFF 6 (2022) 29-32.....ICMFFF 7 (2023)
  21. iCMFFF: (all) Arthouse's icon

    iCMFFF: (all) Arthouse

    Favs/dislikes: 0:0. All the films that featured in the "Arthouse" category of iCM Forum's Film Festivals, so far. Films.....Edition --------------------- 01-04.....ICMFFF 1 (2017) 05-10.....ICMFFF 2 (2018) 11-14.....ICMFFF 3 (2019) 15-18.....ICMFFF 4 (2020) 19-22.....ICMFFF 5 (2021) 23-26.....ICMFFF 6 (2022) 27-30.....ICMFFF 7 (2023)
  22. iCMFFF: (all) LGBTQ's icon

    iCMFFF: (all) LGBTQ

    Favs/dislikes: 1:0. All the films that featured in the LGBTQ category of iCM Forum's Film Festivals, so far. Films.....Edition --------------------- 01-04.....ICMFFF 1 (2017) 05-10.....ICMFFF 2 (2018) 11-14.....ICMFFF 3 (2019) 15-18.....ICMFFF 4 (2020) 19-22.....ICMFFF 5 (2021) 23-26.....ICMFFF 6 (2022) 27-30.....ICMFFF 7 (2023)
  23. iCMFFF: (all) Animation's icon

    iCMFFF: (all) Animation

    Favs/dislikes: 0:0. All the films that featured in the "Animation" category of iCM Forum's Film Festivals, so far. Films.....Edition --------------------- 01-03.....ICMFFF 1 (2017) 04-09.....ICMFFF 2 (2018) 10-13.....ICMFFF 3 (2019) 14-17.....ICMFFF 4 (2020) 18-21.....ICMFFF 5 (2021) 22-25.....ICMFFF 6 (2022) 26-29.....ICMFFF 7 (2023)
  24. iCMFFF: (all) International - Africa's icon

    iCMFFF: (all) International - Africa

    Favs/dislikes: 0:0. All the African films featured in the International section of iCM Forum's Film Festivals, so far. Films.....Edition --------------------- 01..........ICMFFF 1 (2017) 02-06.....ICMFFF 2 (2018) 07-10.....ICMFFF 5 (2021) 11-14.....ICMFFF 6 (2022) 15-18.....ICMFFF 7 (2023) Note: ICMFFF 3 (2019) and 4 (2020) didnt feature any African films in International category.
  25. iCMFFF: (all) International - Asia and Oceania's icon

    iCMFFF: (all) International - Asia and Oceania

    Favs/dislikes: 0:0. All the films that featured in the "International - Asia and Oceania" category of iCM Forum's Film Festivals, so far. Films.....Edition --------------------- 01-04.....ICMFFF 1 (2017) 05-09.....ICMFFF 2 (2018) 10-13.....ICMFFF 3 (2019) 14-17.....ICMFFF 4 (2020) 18-21.....ICMFFF 5 (2021) 22-25.....ICMFFF 6 (2022) 26-29.....ICMFFF 7 (2023)
Remove ads

Showing items 1 – 25 of 230