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  1. Montages.no – Coup de Cœur's icon

    Montages.no – Coup de Cœur

    Favs/dislikes: 7:0. “Coup de Cœur” is a reoccurring column on the Norwegian film site Montages.no. Here the sites different writers present films that they simply love, for some reason or another. Movies that have touched, movies that have stuck, and last but not least, movies that have inspirited to be written about. The column is in style somewhat similar to the now late Roger Eberts “Great Movies”, a stated inspiration for Montages’ “Coup de Cœur”.
  2. 100 Greatest Films by "Sobesednik"'s icon

    100 Greatest Films by "Sobesednik"

    Favs/dislikes: 3:0.
  3. OH THE HORROR! - Must see horror movies's icon

    OH THE HORROR! - Must see horror movies

    Favs/dislikes: 10:2. I watch a lot of horror movies. These are personal favorites and the list will keep growing.
  4. Jean Serroy's Les 1000 Films Culte de l'Histoire du Cinema's icon

    Jean Serroy's Les 1000 Films Culte de l'Histoire du Cinema

    Favs/dislikes: 3:0. University professor emeritus and film critic, Jean Serroy takes the reader through the history of cinema which, in 120 years of existence, has never stopped reinventing itself, going from silent to talkies in the early 1930s, from black and white to color, from small format square screens to the spectacular dimensions of ever larger screens, from film and cellulose nitrate to 4D. This book thus proposes to return to the 1,000 cult films that have marked our era and which, each, have punctuated the life of generations of yesterday and today. Hundreds of films from all genres and all countries are presented, decade by decade, according to a selection based on objective data such as the annual admissions rankings, in France and abroad, the major festivals such as Cannes and Venice but also on major celebrations such as the Oscars and the Césars or even on the notoriety consecrated by critics. So many criteria that have allowed cinema to establish itself as a new, unique and irreplaceable art.
  5. Ebert's Great Movies IV's icon

    Ebert's Great Movies IV

    Favs/dislikes: 10:0. Below is a subset of Roger Ebert's list of great films containing those not covered by books I, II, or III. May he rest in peace.
  6. Ebert's Great Movies III's icon

    Ebert's Great Movies III

    Favs/dislikes: 16:0. Below is a subset of Roger Ebert's list of great films containing only those in his book "The Great Movies III", published in 2010. An excerpt from Ebert's introduction to the book: "I believe great movies are a civilizing force. They allow us to empathize with those whose lives are different than our own. I like to say they open windows in our box of space and time. Here's a third book filled with windows."
  7. Ebert's Original 100 Great Movies's icon

    Ebert's Original 100 Great Movies

    Favs/dislikes: 29:0. Below is a subset of Roger Ebert's list of great films containing only those in his book "The Great Movies", published in 2002. The Apu Trilogy, Decalogue, and Up Documentaries are all broken out separately, hence more than 100 listings. An excerpt from Ebert's introduction to the book: "They are not 'the' 100 greatest films of all time, because all lists of great movies are a foolish attempt to codify works which must stand alone. But it's fair to say: If you want to make a tour of the landmarks of the first century of cinema, start here."
  8. Alice In Videoland's 100 Greatest Films of All Time's icon

    Alice In Videoland's 100 Greatest Films of All Time

    Favs/dislikes: 2:0. The only way to make a list of The 100 Greatest Films of All Time is to look at what has come before. So, a decision was made to review a selection of lists made by respected critics and others from around the globe. The commonality of these choices has helped form Alice's overall selection. The most famous poll since 1952 is Sight & Sound magazine's compilation, whereby every 10 years the world's leading film critics and directors are asked for their top 10 choices. Other sources utilised include the AFI (American Film Institute), the BFI (British Film Institute), the National Society of Film Critics, Cahiers du Cinema, Time, Time Out, Empire and so on. In all, 22 Top 100 lists featuring 2200 titles were cross-referenced and tweaked to arrive at this amazing collection that we feel truly represents the best that cinema can offer. Scroll, contemplate and enjoy.....
  9. 100 Years at the Movies by Chuck Workman's icon

    100 Years at the Movies by Chuck Workman

    Favs/dislikes: 18:0. from the short film released in 1994. "Commemorates the centennial of American movies with a montage of clips and music scores from the most important movies of the century." http://www.imdb.com/title/tt0179624/
  10. Jim Emerson's "102 Movies You Must See"'s icon

    Jim Emerson's "102 Movies You Must See"

    Favs/dislikes: 15:0. "These are the movies I just kind of figure everybody ought to have seen in order to have any sort of informed discussion about movies. They’re the common cultural currency of our time, the basic cinematic texts that everyone should know, at minimum, to be somewhat ‘movie-literate.’ I hope these movies are experiences we can all assume we share….This isn’t like Roger Ebert’s ‘Great Movies’ series. It’s not my idea of The Best Movies Ever Made (that would be a different list, though there’s some overlap here), or limited to my personal favorites or my estimation of the most important or influential films…. I tried to represent key examples of all important genres, movie stars, directors, historical movements, and so on — like an overview of the 20th century in 101 movies. Yes, there are many more I’d like to add, but remember, this is only a primer. How many have you seen?" —Jim Emerson
  11. Rohit K. Dasgupta & Sangeeta Datta's 100 Essential Indian Films's icon

    Rohit K. Dasgupta & Sangeeta Datta's 100 Essential Indian Films

    Favs/dislikes: 6:0. Although the motion picture industry in India is one of the oldest and largest in the world—with literally thousands of productions released each year—films from that country have not been as well received as those from other countries. Known for their impressive musical numbers, melodramatic plots, and nationally beloved stars, Indian films have long been ignored by the West but are now at the forefront of cinema studies. In 100 Essential Indian Films, Rohit K. Dasgupta and Sangeeta Datta identify and discuss significant works produced since the 1930s. Examining the output of different regional film industries throughout India, this volume offers a balance of box-office blockbusters, critical successes, and less-recognized cult classics. While many studies of Indian films focus on a single language’s contributions, this encyclopedia offers a comprehensive guide to productions from across the country in various languages, including Hindi, Bengali, Tamil, Malayalam, Assamese, Punjabi, Marathi, and English. 100 Essential Indian Films is an engaging volume that will appeal to both cinema scholars and those looking for an introduction to a vital component of world cinema. The movies are ordered alphabetically by their english title.
  12. Richard Crouse's Son of the 100 Best Movies You've Never Seen's icon

    Richard Crouse's Son of the 100 Best Movies You've Never Seen

    Favs/dislikes: 1:0. Son of the 100 Best Movies You’ve Never Seen is the eighth book by Canadian author and film critic Richard Crouse. Published in September, 2008 by ECW Press, the book is a sequel to the author's best selling 2003 book The 100 Best Movies You’ve Never Seen. The new book's check list of the best overlooked and under appreciated films of the last 100 years caters to fans of offbeat cinema, discriminating renters and collectors, and movie buffs. Each essay features a detailed description of plot, notable trivia tidbits, critical reviews, and interviews with actors and filmmakers. Sidebars feature quirky details, including legal disclaimers and memorable quotes, along with movie picks from a-list actors and directors.
  13. Pardon le Cinéma vol.2: 100 films à voir d'urgence, des classiques aux pépites's icon

    Pardon le Cinéma vol.2: 100 films à voir d'urgence, des classiques aux pépites

    Favs/dislikes: 2:0. [b]Pardon the Cinema, vol. 2![/b] The team of the first French podcast on cinema does it again with a new opus. New films, new classics to (re)discover, new nuggets lovingly unearthed, new great moments of the 7th art... But the objective is always the same: to wake up your screens with another cinema, an in-depth selection that travels across all continents and all genres, from 1907 to 2021, from Chile to Japan, from documentaries to action films... [b]100 unknown, forgotten or marginal films... to see urgently! [/b] "Pardon le Cinema" is Victor Bonnefoy (director, screenwriter and creator of the Youtube channel InThePanda), Sophie Grech (press officer and screenwriter), Marc Moquin (editor-in-chief of Revus & Corrigés), Simon Riaux (critic cinema in Le Cercle on Canal+ or on the Large Screen website), Arthur Cios (journalist for Konbini) and Alexis Roux (cinema journalist): a team that talks about cinema in an irresponsible but respectful atmosphere and brings together more than 100,000 listeners per month.
  14. Paste's The 100 Best Film Noirs of All Time's icon

    Paste's The 100 Best Film Noirs of All Time

    Favs/dislikes: 3:0. Since its coining in 1946 by French critic Nino Frank, the term “film noir” has been debated endlessly: Is it a genre? A subgenre? A movement? A trend? A commentary? A style? For the purposes of this introduction, let’s call it a response. We think of noirs as urban stories, but that’s not always the case—for every L.A. and N.Y.C.-set saga, there’s a small, heartland tragedy. We think of a never-ending, rain-soaked night—sunlight replaced with neon and nocturnal reflections, the optical trickery of mirrors and shadows—but in contrast, the days of noir scorched its characters. We admire its heavily stylized approach—exaggerated camera angles, tension-crafting mise-en-scène, flashbacks, deep focus and trademark shadows—but also its neo-realist and documentary-like experiments. However (un)conscious a reaction, noir resonates to this day, with several neo-noir cycles beginning with the Cold War era through Gen X and the millennials. And while a healthy share of neo-noirs make our list, the classic period remains the most telling—context is critical. Then there are the sub-classifications within the subgenre: proto-noirs, foreign noirs (like the British “Spiv” cycle), neon noirs, and, of course, neo-noirs. We’ll start with the following 100 titles. Some 70 years after the term “film noir” was first uttered, take a trip through the screwed-up terrain of the mid-century psyche, with all its sex, lies, and crime scene tape. Let’s get going—don’t say we didn’t warn you.
  15. Timeout's The 100 Best Hong Kong Films's icon

    Timeout's The 100 Best Hong Kong Films

    Favs/dislikes: 6:0. Hong Kong was once the Hollywood of the East. At its peak, around the early 90s, the local movie industry was first in the world in terms of per capita production as well as the second largest exporter of films, second only to the US. The influence of Hong Kong cinema can be seen far and wide. Bruce Lee remains a global icon, his martial arts movies are classics; the groundbreaking action of The Matrix would never have come about if not for John Woo films and the action chereography of Yuen Woo-ping; Quentin Tarantino ripped off Ringo Lam’s City on Fire for his debut, 1992’s Reservoir Dogs; Moonlight owes much to the style of Wong Kar-wai films and the auteur was an influence acknowledged by Sofia Coppola when she collected the Oscar for Best Original Screenplay for Lost in Translation. So with such a massive cultural legacy, what are the best Hong Kong movies of all time? We present to you this definitive ranking of the best films made in Hong Kong dating as far back as the 1930s. Note: "The Blue and The Black" and "Chinese Odyssey" Duologies are considered one entry hence 102 titles.
  16. /r/Criterion's Greatest Films of All Time's icon

    /r/Criterion's Greatest Films of All Time

    Favs/dislikes: 47:1. A polling of the Criterion Collection subreddit users on their top 10 films of all time. The users submitted their top 10 films of all time ranked, with the highest ranking film at #1 given 10 points and the lowest ranking at #10 given 1 point. The films were then ranked based on total number of points. Poll taken in January of 2016.
  17. Leonard Maltin's Must-See Movies 2011 - 365 reviews and recommendations's icon

    Leonard Maltin's Must-See Movies 2011 - 365 reviews and recommendations

    Favs/dislikes: 14:1. "Leonard Maltin's Must See Movies 2011 features a full year's worth of great films, each and every one of which Leonard Maltin would personally recommend to anyone. From classics to indies, slapstick comedies to documentaries, family films to edgier fare - no genre is unexplored. Cast and director information accompanies Mr. Maltin's incisive and witty capsule reviews, and every film is available on DVD. Coming from the worlds of Hollywood, independent cinema, and abroad, these 365 films promise inspiration and entertainment for the year ahead, making them truly must-see movies."
  18. The Big Screen - The Story of the Movies (2012) - David Thomson's icon

    The Big Screen - The Story of the Movies (2012) - David Thomson

    Favs/dislikes: 13:0. All films mentioned in Thomson's book. + "Band of Brothers", "Berlin Alexanderplatz", "Boardwalk Empire", "Brideshead Revisited", "Deadwood", "Dexter", "Downtown Abbey", "I Love Lucy", "John Adams", "Mad Men", "Mission: Impossible", "Monty Python's Flying Circus", "Perry Mason", "Rawhide", "Sex and the City", "Six Feet Under", "The Sopranos", "Starsky and Hutch", "Star Trek", "True Blood", "24", "Twin Peaks", "The Wire", "The World at War" and "You Bet Your Life" among other TV-(mini)series. Also included are "Cathy Come Home" and "The Century of the Self". ISBN: 978-0-374-53413-4
  19. DC Universe Animated Movies's icon

    DC Universe Animated Movies

    Favs/dislikes: 16:1.
  20. Best India Has To Offer.'s icon

    Best India Has To Offer.

    Favs/dislikes: 7:1. This is more or less my favorite movies produced by India in Hindi or sometimes in other Indian languages or English. These are not in order of preference but year.
  21. Jodie Foster's icon

    Jodie Foster

    Favs/dislikes: 15:0. Jodie Foster's filmography
  22. RateYourMusic Top 100 films of 2022's icon

    RateYourMusic Top 100 films of 2022

    Favs/dislikes: 0:0. Last up 31.07.24
  23. 80s Movies's icon

    80s Movies

    Favs/dislikes: 13:2. A list of every 80s movie I can find. A work in progress. If Theres anything I missed send me a PM.
  24. Japanese New Wave's icon

    Japanese New Wave

    Favs/dislikes: 35:0. The Japanese New Wave is the term for a group of Japanese filmmakers emerging from the late 1950s through the early 1970s. The term also refers to their work, in a loose creative movement within Japanese film, from a similar time period.—Wikipedia List created by arsaib
  25. BFI's 100 Bible Films's icon

    BFI's 100 Bible Films

    Favs/dislikes: 1:0. From The Passion of the Christ to Life of Brian, and from The Ten Commandments to Last Temptation of Christ, filmmakers have been adapting the stories of the Bible for over 120 years, from the first time the Höritz Passion Play was filmed in the Czech Republic back in 1897. Ever since, these stories have inspired musicals, comedies, sci-fi, surrealist visions and the avant-garde not to mention spawning their own genre, the biblical epic. Filmmakers across six continents and from all kinds of religious perspectives (or none at all), have adapted the greatest stories ever told, delighting some and infuriating others. 100 Bible Films is the indispensable guide to this wide and varied output, providing an authoritative but accessible history of biblical adaptations through one hundred of the most interesting and significant biblical films. Richly illustrated with film stills, this book depicts how such films have undertaken a complex negotiation between art, commerce, entertainment and religion. Matthew Page traces the screen history of the biblical stories from the very earliest silent passion plays, via the golden ages of the biblical epic, through to more innovative and controversial later films as well as covering significant TV adaptations. He discusses films made not only by some of our greatest filmmakers, artists such as Martin Scorsese, Jean Luc Godard, Alice Guy, Roberto Rossellini, Pier Paolo Pasolini, Lotte Reiniger, Carl Dreyer and Luis Buñuel, but also those looking to explore their faith or share it with lovers of cinema the world over.
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