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Basma Alsharif filmography
Favs/dislikes: 0:0. LB is more complete https://letterboxd.com/director/basma-alsharif/ -
Sohrab Shahid Saless filmography
Favs/dislikes: 0:0. -
Sharon Lockhart filmography
Favs/dislikes: 0:0. -
Noriaki Tsuchimoto filmography
Favs/dislikes: 0:0. -
Piero Marelli filmography
Favs/dislikes: 0:0. -
Attiyat Al-Abnudi / Atteyat El-Abnoudy filmography
Favs/dislikes: 0:0. -
Feminist Worldmaking and the Moving Image
Favs/dislikes: 2:0. Feminist Worldmaking and the Moving Image Films mentioned in the book edited by Erika Balsom and Hila Peleg. ISBN: 9780262544528. Full list at Letterboxd as many are not on IMDb. https://letterboxd.com/tob/list/feminist-worldmaking-and-the-moving-image/ -
Margaret Tait filmography
Favs/dislikes: 0:0. -
Sarah Maldoror filmography
Favs/dislikes: 0:0. -
Hartmut Bitomsky filmography
Favs/dislikes: 0:0. -
Jocelyne Saab filmography
Favs/dislikes: 0:0. -
Cecilia Mangini filmography
Favs/dislikes: 1:0. -
Christian Petzold filmography
Favs/dislikes: 0:0. -
Mai Zetterling filmography (as a director)
Favs/dislikes: 1:0. -
Peter Nestler filmography
Favs/dislikes: 1:0. -
Trịnh T. Minh-hà filmography
Favs/dislikes: 0:0. -
Sight & Sound's The Greatest Films of All Time 2022 (3+ VOTES)
Favs/dislikes: 5:0. UPDATE OF https://www.icheckmovies.com/lists/sight+and+sounds+the+greatest+films+of+all+time/ The top films in the 2022 Sight and Sound Poll from the combined votes of directors. Contains films with 3 or more votes. In order by number of votes. The following is a list of positions and the number of corresponding votes. 21-23 (91 votes), 28-29 (81 votes), (I'm still working on this part) Missing from IMDB: Fatima's Letter (3 votes) The Apu trilogy received three votes as a single entry so I included the two sequels in that place. Pather Panchali has 79 votes and has been left in its original position in the list. -
Sight and Sound - The best films of 2022
Favs/dislikes: 4:0. -
The New York Times Best Movies of 2022
Favs/dislikes: 1:0. -
fujicolor
Favs/dislikes: 0:0. https://filmcolors.org/timeline-entry/1367/ -
notable japanese color films
Favs/dislikes: 1:0. https://www.imdb.com/list/ls075020711/ https://festival.ilcinemaritrovato.it/en/sezione/i-colori-del-giappone/ https://blog.dvd.netflix.com/new-dvd-releases/color-films-of-yasujiro-ozu-1958-1962 -
Archive außer sich
Favs/dislikes: 2:0. The four-year project of the Arsenal – Institute for Film and Video Art is a series of interdisciplinary research, presentation, and exhibition projects dealing with film cultural heritage and its archives. What is cultural heritage, what communities and narratives, what addressees and mediation formats can be derived from it and how durable are they? Or: what still unknown archives can the present produce? The basis of this is formed by the idea of the Living Archive: research, digitization, and/or restoration of archival holdings are part of an artistic and curatorial practice of the present understood as participation. The archive is a site of production. Out of the diversity of the starting materials–complete films, films that are damaged or can no longer be reconstructed, ephemeral films, working materials, marginal notes, and objects–as well as the specific localities of the partners–archives, cinemas, festivals, art spaces, universities, public television stations, databanks, a former crematorium–arises a question: What is a film archive today? What claims does the public make on archives and what present and future can be proposed, even speculatively, from archival constellations and new forms of navigation? The archives involved become laboratories for critically reflecting on the category of film heritage, but also “heritage” in general, for instance in relation to colonial or migration history or to the history of political and aesthetic movements. Alongside its value for film history and theory, the project will also contribute to developing new perspectives on the politics of film culture. The term film heritage will be positioned in relation to other classification categories such as “transnational cinema” or “world cinema.” From political, aesthetic, or even chance connections, elective affinities will emerge from the present, contributing to devising new concepts of temporality. Participating institutions: International Short Film Festival Oberhausen, Film Feld Forschung gGmbH, Harun Farocki Institut, SAVVY Contemporary, pong film GmbH and the masters program “Film Culture: Archiving, Programming, Presentation” at the Goethe University Frankfurt. “Archive außer sich” is a project of Arsenal – Institute for Film and Video Art, in the frame of the cooperation “The Whole Life: An Archive Project” together with Haus der Kulturen der Welt, Pina Bausch Foundation and Staatliche Kunstsammlungen Dresden. It is part of HKW’s project “The New Alphabet,” supported by the Federal Government Commissioner for Culture and the Media due to a ruling of the German Bundestag. -
gentle rural docs about people and nature
Favs/dislikes: 1:0. -
Every Title on an Official iCM Checklist Which Has a Woman Director (updated April 2020)
Favs/dislikes: 5:0. -
Directed by women (part 3)
Favs/dislikes: 1:0. https://letterboxd.com/thaizy/list/directed-by-women/
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