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Comments 1 - 8 of 8

Siskoid's avatar

Siskoid

If you don't tear up through 50-75% of Christopher Robin, you may be a Woozle. Made, I suspect, more for adults who saw/read/loved Winnie the Pooh as kids, than for their children (I'll come back to that), Marc Forster's Pooh film has a nostalgic melancholy throughout that speaks to grown-up Christopher's own post-childhood, post-war malaise, and his need to connect back to that childhood so he can better connect with his family. If you subscribe to the psychological analysis of the Pooh stories, where each animal is a sliver of Christopher's psyche, then he has been overtaken by his inner Heffalump. The movie doesn't shy away from the sadness and is quite earnest in its sentimentality. Tonally, it's in line with the original stories, as is its comedy, part slapstick, part wordplay, all quite charming, and even in faster-paced scenes, gentle in a way most modern CG/part-CG family films aren't. And the animal characters are rather wonderful. Pooh is impossibly touching. Eeyore very funny. The others don't play as large a role, but all feel right. If I don't think it was necessarily made for today's kids, I don't mean they can't enjoy it, but it is rather quiet compared to similar fare (this year's Paddington 2 and Peter Rabbit, which I both loved as well, are more frenetic). I always cringe when workplace drama and "the big meeting" climax are inserted into these kinds of films, as much because it's a cliché as because I can hear bored children rustling in their seats. Christopher Robin finds a good balance (the film does, the character has trouble with exactly that) between the strictly human scenes (where you lose the younger kids who don't care about marital, parental, or work problems) and lovable stuffed animal shenanigans. I think I'm gonna go talk to my own stuffed animal now, a white dog I've kept because I was given it when I was born. I'll be right back.
6 years 2 months ago
Kenneth McMahon's avatar

Kenneth McMahon

Gentle, enjoyable film dealing with the loss of innocence as we grow older and end up spending our time doing things we'd rather not be doing, instead of just having fun.
6 years 2 months ago
ntan's avatar

ntan

The film plays out much like Eeyore floating down the river. It's a gently pleasant ride - even if you know where it ends up going.

I absolutely loved it though. I found it very funny, much funnier than people give it credit for. Everything that came out of Pooh and Eeyore's mouths either had me laughing or crying.

This is what happens when you spend time constructing the right story with great screenwriters, among them Tom McCarthy (Spotlight) and Allison Schroeder (Hidden Figures), both Oscar nominated for the writing of those films.

It grabs its theme (work vs. family) and runs with it, offering plenty of genuine, thought-provoking drama paired with the endlessly lovable Pooh bear.

8.5/10
6 years 1 month ago
Emiam's avatar

Emiam

6/10
I can not understand the high average rating on IMDb (7.3 / 10), more than that I think this saga for Anglo-Saxon countries is valued high and is a strong classic. It is a bit charming and cute at best, but small children will not understand adult morality even though they know the story - so, who have they targeted as an audience? Most nostalgic adults, I would say. I see this once.
3 years 10 months ago
boulderman's avatar

boulderman

Had moments of Paddington in it
5 years 6 months ago
Sjutten's avatar

Sjutten

Sad to see that this stopped at 197 million so it won't even make it to the box office list.
5 years 10 months ago
boulderman's avatar

boulderman

And Trainspotting :)
5 years 6 months ago
buc86's avatar

buc86

This felt like they were trying to do the Winnie the Pooh version of Hook. Well say what you want about that film, it at least had more charm than this one.

Also a minor thing, why was that balloon red and not sky blue like in the first film?
5 years 10 months ago
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