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Comments 1 - 15 of 22

freemind's avatar

freemind

I loved the songs, the rest of the film was awfully over the top.
12 years 9 months ago
Rohit's avatar

Rohit

Not once did I laugh
12 years 1 month ago
njormann's avatar

njormann

wanted to turn it off from the start.. the intro was torture
13 years 1 month ago
arunraj's avatar

arunraj

weird comedy sometimes can't stand it
13 years 1 month ago
George Bailey's avatar

George Bailey

Too much screaming in that movie...Got a headache!
13 years 5 months ago
ClassicLady's avatar

ClassicLady

I've never found Mel Brooks movies funny. Maybe I'm missing a funnybone or something but I can always see his jokes coming and they just fall flat for me. Too bad...so many people seem to love this movie.
11 years 1 month ago
devilsadvocado's avatar

devilsadvocado

I've included this one in my list of best films from the New Hollywood era.

New Hollywood - The American New Wave
12 years 1 month ago
jtstoner1994's avatar

jtstoner1994

It was a pretty okay movie. You can tell it's Mel Brookes' early years. He was testing the waters of comedy. The song about Hitler is extremely catchy! The whole swooning of all the old women was kind of creepy.
8 years 2 months ago
Typically Thomas's avatar

Typically Thomas

Hasn't aged well
2 years 9 months ago
DisneyStitch's avatar

DisneyStitch

It took a long while to get going for me, just about when we finally see the play come to life. I once had the opportunity to see a large budget play in a theater district that lasted for just a week or so before being shuttered and I can unironically say that Springtime for Hitler was actually better, so there's that. Mel Brooks isn't exactly my brand of humor but I can appreciate what he's doing and it has its moments.
5 months 2 weeks ago
gama_jr's avatar

gama_jr

Amazing movie. Mel Brooks at his best!
7 years 9 months ago
Siskoid's avatar

Siskoid

Mel Brooks' original 1968 version of The Producers, about an unscrupulous theater producer actively trying to put on the worst show possible so he can "lose" money and bank all the investors' checks, only to have the whole farce blow up in his face, is at times quite clever and funny, but generally too shouty for my tastes. There's just so much loud zaniness I can take, and The Producer at times blows that particular gauge. Gene Wilder's quieter accountant is thus more my speed, and there's something quite joyful about his performance, the producer's con played out like a seduction, and its achievement a kind of post-coital contentment. And of course, there's some loopy fun to be had with the production of "Springtime for Hitler", bad taste reconfigured into a hilarious if accidental send-up of the Third Reich and its theatrical regalia. But some of the comedy is perhaps a bit broad, at least in the acting, by today's standards.
7 years 1 month ago
MilenaFlaherty's avatar

MilenaFlaherty

I am not usually a Mel Brooks fan (though he is great in interviews) but I love this one unconditionally.
8 years 7 months ago
The_Comatorium's avatar

The_Comatorium

i dont understand how nobody found hitler to be hysterical baby.
11 years 8 months ago

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