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Whiplash (2014)'s comments - page 2
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Comments 16 - 30 of 61
aussieflickfan
Really good, though as a drummer myself, I wished the editing of the playing sections had been better. That is nit picking, though.apleip5993
Incredible filmmaking. Loved every second.Ebbywebby
The raves for this film absolutely stun me. I put off seeing it because the premise and the trailer's "vibe" set off all kinds of alarms, and darned if I didn't react exactly as I feared. This is one of the most ridiculously heavy-handed films I've seen. Almost none of it rang true for me, and I *did* have an infamously nasty music teacher during high school (and in an utterly bizarre coincidence, his *first* name was Fletcher). But he wasn't like *this* silly ape, calling students "hymie," "faggot," "cocksucker" and the like, while expecting to hold onto a job at a prestigious school just because he's such a remarkable genius at getting a crew to play with a steady tempo?? While never having a word to say about dynamics, accents, interpretation, etc. What an eyeroll. And that ridiculous drum solo at the end would have pushed half the house into the lobby to grab a drink. Hey, how about one more scene showing the drummer's righteously bloody hands? You can't have too many. Oh, and from the moment Fletcher walked into class looking upset with that burned CD, I assumed one of his ex-studentsMarasmusine
Now _that_ was my fricking tempo.jhhayes
J.K. Simmons definitely earned his Oscar. He was born to play this role. One of the best film characters of the past 20 yrs. His performance was even better than I expected. Miles Teller also deserved some love from the Academy. Just an all around awesome film.Siskoid
What a friend of mine called Rocky with a drum kit, and I couldn't come up with anything more clever than that. It's got great music, of course, and J.K. Simmons' performance is a great as they say it is. I want to coach improv the same way he does jazz - and I realize I almost already do, give or take some of the abuse; I do believe you need to push someone hard if they're going to be great - even though the film is somewhat ambivalent about his methods. Or is it? Maybe not so much. If anything, it makes true genius terrifying, whether you seek it, or know somehow who has it. That said, it's not a complex picture. The story is simple and the subplots don't necessarily lead anywhere. In that sense, it's a lot like its thesis - some things are just not important if you pursue your goal as single-mindedly as its protagonists do.Jontaquestion
A masterpiece. Close to perfect in every way.KaramAkerfeldt
holy shitSafechain
embarrassingly emperors new clothes mario kart music bullshitSafechain
Nojonashus
Whiplash did not live up to the hype at all. I don't see what people like in this movie.The minimal sideplot with the girl was bad, no effort was put in to it and the main character acts like a dick. And the girl acts as expected. There was a moment when I thought there was a twist to expect but again I was let down.
The main plot with the drumming and the psychopathic teacher didnt speak to me at all. I just couldnt relate to it as something else than a loser drummer and a psychopathic teacher.
MrPredator
good movie but i did not like of the classical music. i like rap...cathedra
just watch it.OneTrueSentence14
What's the etiquette on linking reviews on your own blog?http://kevinwarzala.blogspot.kr/2015/03/i-saw-whiplash-and-wind-rises-in-same.html
ikkegoemikke
“The truth is, AndrewI never really had a Charlie Parker.
But I tried.
I actually fucking tried.”
"Whiplash". You could think that this film tells the story of a drummer (the movie poster is a bit of a spoiler when it comes to this) who has suffered this injury by violently playing his instrument. Or he lost control of his car while drumming rhythmically on the steering wheel and crashed into the car driving in front of him. You could link the movie title to these assumptions, because the arrangements that Andrew (Miles Teller) has to play in this masterful and highly rhythmic film may result in a neck injury. And when it comes to losing that control ... well ... then you should go and watch the movie to find out yourself. Anyway, the film title refers to a song written by the American jazz composer Hank Levy. The central theme of the film is about the influence you can have on someone and drive that person to exceed certain inhuman limits of his own ability. Now, for me you're already a top musician when you know the complete arrangement of "Whiplash" and "Caravan" (written by Duke Ellington) by heart. Even if there's a little mistake here and there or you are little bit offbeat, eventually I will have a boundless admiration for the musician after completing such a superhuman performance.
I've never had such a desire to pull someone through the screen and then smack a huge cymbal against his face as now with the presumably extremely talented music teacher Fletcher, brilliantly played by JK Simmons. A man who lives for his music and has a huge passion for it. It's a bit exaggerated that passion though. Exaggerated to such extent that it exceeds the limit of human dignity and by his passion for creating a perfect musician, his way of teaching tends to be sadomasochistic. A kind of militaristic attitude towards his traumatized and frightened students who are wary of any unexpected outburst. A disrespectful howler, suitable as "drill sergeant" in the US Army, and first-class bully, who suddenly swings around music stands, slaps his students in the face and throws out a member of his orchestra, just because he plays a bit out of tune . Afterwards, the accused doesn't appear to be the culprit, but he's just thrown out of the classroom because he didn't know he wasn't the one playing out of tune. A worse stain on the reputation of a professional musician, according to Fletcher.
That's also what Andrew, an ordinary American teenager who studies at the Shaffer conservatory and whose only envisioned aim is to be the best jazz drummer ever, undergoes. The moment he's being asked to join Fletcher's school orchestra, which only consists of a select group of musicians, it becomes the best day of his life. His confidence gets such a boost that he even overcomes his shyness and dares to ask a girl, who works at the cinema, on a date. That it's subsequently leading to a veritable psychological warfare, goes beyond his wildest dream. Gradually the terror policy of Fletcher drives him to the utmost to meet Fletcher's expectations. Even his relationship with Nicole (Melissa Benoist) is terminated abruptly by him. The love for music is displaced by a bloody battle for a wanted spot in the orchestra. The obsessional takes the upper hand, tending towards self-destruction.
I'm not exactly an expert myself when it's about jazz. And I've read reviews where it's suggested that the essence of jazz is completely misrepresented here : "The idea about jazz in this movie is brought in a grotesque way and looks like a ridiculous caricature". The whole history about Charlie Parker and the anecdote Fletcher tells everytime, apparently isn't exactly true at all. Could be, but for me the jazz section wasn't of essence in the story. It's the emotional and physical brutality that Fletcher uses to bring students to a higher level. In this way Fletcher tries to create "HIS Charlie Parker". The whole movie does follow the rhythm of the used music: uplifting, rhythmic and intense. Only the end was predictable and presented us of course the well known rule that the oppressed kicks the oppressor's ass again. Actually I hoped Andrew would put his drumsticks there where the sun doesn't shine at Fletcher.
The performances of Teller and Simmons are obviously extremely stunning. It took me a while before I realized that I've seen Teller in "That awkward moment". A movie I wanted to forget about as soon as possible. Here, however, I thought he was brilliant. And apparently he's an avid drummer and he did all the drumming himself. Hats off and respect ! But the most brilliant achievement was undoubtedly that of Simmons. What a great character sketch with lots of charisma. A character that scares you. Someone you start to hate thoroughly after a while. But in the end I understood a bit what drove him to this behavior. He won an Oscar for this role and in my opinion well deserved. An energetic musical thriller, with a fairly predictable outcome and which is so extremely rhythmic you can't sit still. Highly recommended!
http://opinion-as-a-moviefreak.blogspot.be/2015/03/whiplash-2014.html
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