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  1. WGA 101 Funniest Screenplays's icon

    WGA 101 Funniest Screenplays

    Favs/dislikes: 11:0. The Writers Guild of America selected the 101 Funniest Screenplays
  2. WGA 101 Greatest Screenplays's icon

    WGA 101 Greatest Screenplays

    Favs/dislikes: 55:1. Writer's Guild of America's 101 Greatest Screenplays
  3. World Cinema Project's icon

    World Cinema Project

    Favs/dislikes: 6:0. The World Cinema Project (WCP) preserves and restores neglected films from around the world. To date, 31 films from Africa, Asia, Eastern Europe, Central America, South America, and the Middle East have been restored, preserved and exhibited for a global audience.
  4. Writers' Guild of America 101 Funniest Screenplays's icon

    Writers' Guild of America 101 Funniest Screenplays

    Favs/dislikes: 12:0. Tie #33 - Ferris Bueller's Day Off & Trading Places Tie #54 - Anchorman & Dumb and Dumber Tie #79 - Dirty Rotten Scoundrels & Lost in America
  5. Writters Guild of America's 101 Best-Written Shows's icon

    Writters Guild of America's 101 Best-Written Shows

    Favs/dislikes: 14:0. In june 2013, the Writters Guild of America chose the 101 best-written TV shows of all-time. Here they are, ranked.
  6. ZHdK - Film History's icon

    ZHdK - Film History

    Favs/dislikes: 6:0. This list is given to Film Students of the Zurich University of the Arts. For the Film-History exam, each student has to prepare one film of their choice for each Sub-Category (01.03.2019) 1) Beginning of Cinema (1-10) (Every movie of this category has to be seen) 2) Silent Films and Beginning of Sound (11 - 42) - American Silent Films (11-18) - European SIlent FIlms (19-30) - Soviet Films of the Revolution (31-35) - Beginning of Sound (36-42) 3) Hollywood I - American Genre Cinema / Classic Narration (43-83) - Western (43-45) - Biopic (46-49) - Romance/Melodrama (50-52) - Crime/Gangster (53-55) - Film Noir (56-60) - Comedy (61-65) - Musical (66-69) - Horror (70-73) - Epic (74-76) - Authors in the Studio System (77-83) 4) European Cinema I - Early Realism in the European Cinema (84-105) - Social Realism in Germany (84-89) - Poetic Realism in France (90-97) - Neorealism in Italy (98-105) 5) European Cinema II - Author Film, New types of Film Narration (106-140) - Sweden (106-109) - Italy (110-118) - France (119-128) - Great Britain (129-133) - Federal Republic of Germany (134-140) 6) Hollywood II - Restoration (141-164) - New Hollywood (141-152) - High-Concept Film/ Blockbuster Cinema (153-164) 7) The East-European and Soviet Films during the Cold War (165-180) - USSR (165-168) - Poland (169-171) - Czech Republic (172-176) - DDR (177-180) 8) Cinema in Africa, Asia and Latin America (181-202) - Africa (181-186) - Latin America (187-194) - Asia (195-202) 9) International Documentaries (203-237) 10) Avant-Garde Cinema / Experimental (238-255) 11) Film and Gender (Women's Film / Experimental Feminist Film / Queer FIlm) (256-271) 12) Postmodern Positions in FIlm (272-287) 13) Swiss Films (288-324) - Fiction (288-305) - Documentary (306-324) 14) Cinema in the 21st Century (325-393) - Mainstream (325-339) - Arthouse (340-363) - International Documentaries of the 21st Century (364-373 - Swiss Fiction Films of the 21st Century (374-383) - Swiss Documentaries of the 21st Century (384-393)
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