“The Kubrick Stare, sometimes referred to as the Kubrick Glare, is a common camera shot of an actor in most of Stanley Kubrick’s films. The Kubrick Glare has been called the “heavy-browed look of insanity”. It symbolizes that the character in question is either really, really pissed or really becoming deranged, and the person they’re looking at is really, really screwed. Other times—usually when combined with a smile—it means they’re feeling really, really clever. Either way, it’s really creepy and ominous.”
“As he and Rana grow more and more estranged, Emad gets closer to tracking down the culprit. His need for vengeance begins to erode his common decency, and he takes on in life the role of the antagonist to the character he plays on stage — the brutish world that crushes Willy Loman.”
The Salesman - Written and directed by Asghar Farhadi.
Boston Globe review: ★★★★
“I miss you. I miss not touching each other. Not seeing each other, not breathing in each other. I want you. All the time. No one else.”
Blue Is The Warmest Color (2013)
I just feel so alone, even when I’m surrounded by other people.
Lost in Translation (2003) Dir. Sofia Coppola
Moana facial expressions. It was very challenging to make her every expressions and attitudes look like a 14 year old girl. Drawing a girl is always much harder than drawing a male character at least for me.
(via ambiguousgrae)
Every day, you ride the bus and count the minutes, hoping you’ll see her again. She smiles, and you feel a strange tingle up the back of your neck. Something carnal inside of you causes your body to break out in sweats. You feel like the luckiest man in the world. She sits alone, just like every other day, and looks out the window lost in her thoughts. You know that look. She’s just as alone as you are. But she doesn’t have to be. You could talk to her. Tell her you’d love to sit next to her today and every other day, because life is short, and no one deserves to ride the bus alone.